BABALOO - FEBRUARY 2006
Tuesday, February 28, 2006
Celso Junior: Travelling and Boots: Edition February 2006: BERLIN is already posted
Como eu tinha prometido no passado mês de Janeiro, a partir de agora em meu novo BLOG, cada mês será dedicado a uma cidade, região, ou país que visito.
Berlim é a cidade eleita e a edição de Fevereiro 2006, sem dúvida uma das minhas cidades preferidas.
Tenho de confessar que o dossier é imenso: 314 postings e mais de 1.000 fotografias. Nada a fazer, é mais forte do que eu e eu não consigo controlar-me e reduzir a informação.
Aproveito assim para convidá-l@ a visitar comigo esta cidade deliciosa, suas paisagens, sua arquitectura, seus homens (especialmente aqueles que usam botas), enfim, venha ter comigo ao http://travellingandboots.blogspot.com/
Seja bem vind@ e desfrute
As I have promised, from last January, each month will be dedicated to a city region or country that I visit.
February’s edition is dedicated to Berlin, one of my favorite cities in the world.
I must confess that the dossier is huge, 314 postings and more than 1.000 pictures. Nothing else can be done! it’s stronger than me and I can’t control myself and stop posting.
So, let me invite you to visit Berlin, its landscapes, its architecture, its men and its boots, anyway, all about Berlin at:
http://travellingandboots.blogspot.com/
Be welcome and enjoy
Celso Junior
Berlin a place plenty of atmosphere ...
... and one of the more interesting cities in the world
You can find more about Berlin and its especial atmosphere at my blog Celso Junior: Travelling and BootsGo and check at: http://travellingandboots.blogspot.com/
Are you interested in Art?
All about ART and what is happening NOW in Berlin
Go and check at: http://travellingandboots.blogspot.com/
MY BOOT COLLECTION
The ultimate British styled combat boot. Combining a rugged sole, solid construction, and innovative leathers these boots are some serious hardware.
Black Leather 30 Eye Boot
Bought in Berlin February 2006
Wednesday, February 08, 2006
DOSSIER ESPECIAL NAZIS: Storyboard
The following serie of pictures belongs to the storyboard of my project for a porno film or perhaps a animation film.
No title yet as well no idea how to concretize it.
It starts when a German Sentry…
REFERENCE: FILM - La Caduta degli Dei by Luchino Visconti (1969)
La Caduta degli dei (1969)
Directed by Luchino Visconti
Cast: Dirk Bogarde as Frederick Bruckmann, Ingrid Thulin as Sophie Von Essenbeck, Helmut Griem as Aschenbach, Helmut Berger as Martin Von Essenbeck, Renaud Verley as Gunther Von Essenbeck, Umberto Orsini as Herbert Thallman, Reinhard Kolldehoff as Konstantin Von Essenbeck (as René Koldehoff), Albrecht Schoenhals as Joachim Von Essenbeck (as Albrecht Schönhals), Florinda Bolkan as Olga, Nora Ricci as Governess, Charlotte Rampling as Elisabeth Thallman, Irina Wanka as Lisa, Karin Mittendorf as Thilde Thallman
Also Known As:
The Damned (USA)
The Damned (Götterdämmerung) Verdammten, Die (West Germany)
Runtime: 155 min
Country: Italy / Switzerland / West Germany
Language: Italian / English / German
Colour: Colour (Eastmancolour)
Sound Mix: Mono (Westrex Recording System)
The power and fortune of the Von Essenbeck family remained intact even when Germany lost the Great War and during the depression that followed. Now it's 1934 and the baron has summoned his family to a dinner that also brings a cousin rising in the Nazi party to the great house accompanied by a rising manager at the baron's company.
DOSSIER ESPECIAL NAZIS: The Night of the Long Knives
In June 1934, saw the wiping out of the SA's leadership and others who had angered Hitler in the recent past in Nazi Germany. After this date, the SS lead by Heinrich Himmler was to become far more powerful in Nazi Germany.
On the night of June 29th - June 30th 1934, units of the SS arrested the leaders of the SA and other political opponents. Men such as Gregor Strasser, von Schleicher and von Bredow were arrested and none of them had any connection with Röhm. The arrests carried on for 2 more nights.
Official records tally the dead at 77, though some 400 are believed to have been killed.
The SA was brought to heel and placed under the command of the army. Hitler received an oath of allegiance from all those who served in the army. Röhm was shot. Others were bludgeoned to death.
DOSSIER ESPECIAL NAZIS: The Night of the Long Knives: The purge
With all these groups aligned against Röhm, Hitler decided to act. He ordered all SA leaders to attend a meeting at the Hanselbauer Hotel in Bad Wiessee near Munich.
On June 30 Hitler took personal command of Röhm's arrest. He then ordered Göring's Landespolizeigruppe General Göring and Himmler's Leibstandarte SS Adolf Hitler into action.
Alfred Rosenberg's diary provides an account:
With an SS escort detachment the Führer drove to Bad Wiessee and knocked softly on Röhm's door: “Message from Munich,” he said with disguised voice. “Well come in,” Röhm called to the supposed messenger, “the door is open.” Hitler tore open the door, fell on Röhm as he lay in bed, seized him by the throat and screamed, “You are under arrest, you swine.” Then he turned the traitor over to the SS. At first Röhm refused to get dressed.
The SS then threw his clothes in the Chief of Staff's face until he bestirred himself to put them on. In the room next door, they found young men engaged in homosexual activity. “And these are the kind who want to be leaders in Germany,” the Führer said trembling. (Spielvogel, 78)
In the following hours other SA leaders were also arrested, and many were shot out of hand.
Apparently Hitler intended to pardon Röhm, but eventually decided to have him executed. It is believed that Röhm was offered a chance of suicide but was eventually shot.
Hitler also used this purge of the SA to settle old scores: Third-Positionist, Gregor Strasser, former Bavarian Commissar and Triumvir Gustav von Kahr, former Chancellor Kurt von Schleicher and Conservative Revolutionary figure Edgar Jung, among others, were all murdered. The current Vice Chancellor, Franz von Papen, was put under house arrest.
On July 3, the Reich government decided upon the Law Regarding Measures of State Self-Defense, consisting of a single article simply declaring the "measures taken" to be "legal State self-defense."
Hitler announced the purge on 13 July, claiming 61 had been executed, 13 shot while resisting arrest, and 3 had committed suicide. In announcing the purge he stated, "If anyone reproaches me and asks why I did not resort to the regular courts of justice, then all I can say is this: In this hour I was responsible for the fate of the German people, and thereby I became the supreme judge (oberster Gerichtsherr) of the German people". - from William L. Shirer, The Rise and Fall of the Third Reich, Simon and Schuster, New York, 1959.
As a result of the purge, Hitler gained a measure of gratitude and support from the Reichswehr. On July 26th, the SS was made independent of the SA, with Himmler as its Reichsführer, answerable only to Hitler. Victor Lutze became the new leader of the SA, and it was soon marginalized in the Nazi power structure.
In Nazi-propaganda the purge was disguised as the suppression of a fictitious Röhm-Putsch, i. e. a coup d'etat of SA-leader Röhm against Hitler.
Sunday, February 05, 2006
February 05th
Today: 45 y.o. Luzern, Switzerland
Born in Guararapes, São Paulo – Brazil
February 05th, 1961 at 10am
CHART: VENUS in ARIES
With Venus in Aries, you have an assertive self-expression in romantic situations. Venus in Aries is a demonstrative position, and produces tendencies for you to seek excitement in your love life. Cheerful and positive, you package yourself well. As one who is outgoing and full of enthusiasm, you're great in social situations. You are fun and exciting, and too more timid souls, a bit overwhelming.
Outgoing, affectionate, and sometimes flirtatious, you become competitive in seeking the affections of others. Romance is living for you. Romantic involvement is like a competition to be won, and you are not a particularly good loser. When you love life is not going well, you are irritable and very moody. Easily aroused, you have an instinct for romantic challenge and conquest. You are direct and aggressive in love endeavours. In attracting a lover, you are direct and full of adventure and enthusiasm. You have a dangerous tendency to fall in love at first sight, or at least quickly than most people. Yet, you can be somewhat impulsive and unstable where long-term romance is concerned.
The romantic nature is impatient and careless sometimes. You don't take enough time to make long range plans or for truly needed practical considerations. Not surprisingly, early marriages are common with Venus in Aries. Sometimes, you may not have a deep understanding of other people's feelings.
The Mirror of Venus by Sir Edward Coley Burne-Jones, 1898.
Oil on canvas, 47 1/2 x 78 3/4 inches.
Gulbenkian Foundation, Lisbon
REFERENCE: MUSIC - BOLEROS
Perfidia
Autor: Alberto Domínguez
Nadie comprende lo que sufro yo
Tanto, pues ya no puedo sollozar;
Solo, temblando de ansiedad estoy
Todos me miran y se van.
Mujer, si puedes tu con Dios hablar,
Preguntale si yo alguna vez
Te he dejado de adorar.
Y al mar, espejo de mi corazón,
Las veces que me ha visto llorar
La perfidia de tu amor.
Te he buscado por doquiera que yo voy,
Y no te puedo hallar.
¿Para que quiero otros besos
Si tus labios no me quieren ya besar?
Y tu, quien sabe por dónde andarás
Quien sabe que aventuras tendrás
Que lejos estás de mí.
Autor: Alberto Domínguez
Nadie comprende lo que sufro yo
Tanto, pues ya no puedo sollozar;
Solo, temblando de ansiedad estoy
Todos me miran y se van.
Mujer, si puedes tu con Dios hablar,
Preguntale si yo alguna vez
Te he dejado de adorar.
Y al mar, espejo de mi corazón,
Las veces que me ha visto llorar
La perfidia de tu amor.
Te he buscado por doquiera que yo voy,
Y no te puedo hallar.
¿Para que quiero otros besos
Si tus labios no me quieren ya besar?
Y tu, quien sabe por dónde andarás
Quien sabe que aventuras tendrás
Que lejos estás de mí.
REFERENCE: BOOK - THE END OF FAITH: Religion, Terror and the Future of Reason by Sam Harris or TALKING ABOUT RELIGION, MUSLIMS AND DENMARK
“The point is that faith, even moderate faith, is pernicious because it teaches that believing something without evidence is a virtue”.
THE END OF FAITH: Religion, Terror and the Future of Reason by Sam Harris is a genuinely frightening book about terrorism, and the central role played by religion in justifying and rewarding it. Others blame “extremists” who “distort” the “true” message of religion. Harris goes to the root of the problem: religion itself. Even moderate religion is a menace, because it leads us to respect and “cherish the idea that certain fantastic propositions can be believed without evidence”
Or, in Voltaire's words: "Those who can make you believe absurdities can make you commit atrocities"
I wasn’t in the mood to comment this kind of event, Yes, I’m talking about the Danish cartoons, but it is stronger than me: I CAN’T RESIST.
Thursday, February 02, 2006
DOSSIER ESPECIAL NAZIS
When I created my blog my primary intention was to post everything concerning my artwork, interests, to share my private collections, and to talk about several fetishes related subjects, about sexuality, about freedom, etc.
The idea was to post and post and post, regardless any order or rule: Well,this isn't me at all. As a contradictory person myself, I love and hate both Chaos and Order. But normally Order wins!
From now on, I'll collect from the archives all subjects concerning the same theme and post them again as an especial dossier: The first dossier will focus on a very sensitive subject: Fetish and Nazism.
A theme, which I refuse to give up just because of some kind of political correctness.
Clear your mind of all prejudice, hop inside the posts and try to realise that there is a deep difference between Fetish and Political Behaviour.
Try to discover how a Left Wing guy can carry on with his fetishes and play these kinds of nasty games.
I have much more to do with my life than just keeping up appearances!
DOSSIER ESPECIAL NAZIS
"I don't care if the man wearing a Nazi Uniform is Black, Asian or a Jew. The Man's Colour doesn't matter, what matters is the Uniform."
Celso Junior
REFERENCE: FILM – BLACK GESTAPO (1975)
BLACK GESTAPO (1975)
Directed by Lee Frost
Also Known As:
Ghetto Warriors (USA) (original title)
Cast: Rod Perry as Gen. Ahmed, Charles Robinson as Col. Kojah (as Charles P. Robinson), Phil Hoover as Vito, Edward Cross as Delmay (as Ed Cross), Angela Brent as Marsha, Wes Bishop as Ernest and Lee Frost as Vincent
Runtime: 88’
Country: USA
Colour: Colour
Sound Mix: Mono
Tagline: The New Master Race!
The best of "blacktion"
DOSSIER ESPECIAL NAZIS
Existe um momento na vida de cada um de nós em que pensamos ser o único no mundo. Somos então a única pessoa a fantasiar o tocar e ser tocado por outro homem, trocar carinhos, beijar, fazer amor ou fuder dependendo da tusa ou da ilusão... então conhecemos alguém ou alguma situação se nos é imposta e de um momento para outro todo um universo até então desconhecido se nos abre à frente.Sentimos estranhos e sós, abafados pelos nossos medos: Botas? Como é possível que tenham este poder de atração sobre mim? E por aí adiante...
Assim como o primeiro beijo, o primeiro homem, a primeira foda, veio também o primeiro a partilhar a mesma fantasia, a mesma paixão pelas botas militares, botas de polícias, o som abafado das botas a marchar, os seus exércitos...
os homens rudes e trabalhadores com suas botas de borracha...
sujos...
pescadores, bombeiros...
aí então, aparece alguém com um fantasia ainda mais requintada, mais sofisticada e mental, que acrescenta algo mais, algo de lúdico e que lateja em estado de potência.
Voltar às brincadeiras de infância ou adolescência onde rapazes brincam de matar uns aos outros, como herois e bandidos...
o castigo aos maus...
eles bem que merecem...
serem humilhados em suas poses e arrogâncias.
As vezes eu penso que filmes série B onde encontramos uma violência exagerada e barata, onde a morte que se morre é de plástico. São em tudo semelhantes aos filmes pornográficos, talvez a grande generalidade das pessoas não pensam sobre o quanto estes se tocam, os orgasmos atingidos nestes reproduzem os sons das cenas violentas nos outros e vice-versa, e são exatamente estas cenas violentas onde os bandidos são surpreendidos pela metralha, ou os orgamos excessivos que arrancam risos à plateia, sobretudo e quase apenas na audiência masculina.
Uma experiência plurisensorial, todos os sentidos alertas para o climax final...e afinal, não era apenas um no mundo...existimos e estamos espalhados por todos os continentes.
DOSSIER ESPECIAL NAZIS
There is a moment in everyone’s life in which we believe to be unique in the whole world.
We are as if the only person who fantasizes touching and being touched by another man, changing affections, kissing, making love or fucking, depending on how horny you are or on your delusions…
so when we come face to face with somebody or with a given circumstance imposed upon us, all of the sudden a whole new universe, never before unveiled, is suddenly revealed.
We feel estranged and alone, muffled by our fears: Boots?
How it is possible that they have such an attractive power on me? And so on…
Along with the first kiss, the first man, the first fuck, came along the first one to share the same fantasy, the same passion for military boots, police boots, the sultry sound of marching boots, its armies...
the rough and working class men with their dirty rubber boots...
fishermen, firemen...
suddenly, someone comes along with an even more sophisticated fantasy, more cerebral, which adds something up, something playful and with a latent potential.
A revisit to our games played as children or adolescents, in which youngsters play of killing each other, of heroes and outlaws...
the evil must be punished...
they very much deserve it...
to be humiliated in their pose and arrogance.
I sometimes believe that series B movies, overflowing with exaggerated and cheap violence, where the died death is a plastic death, are in every way similar to pornographic films, perhaps the great majority of people don’t consider how much similarities there are here, the orgasms reached in these films reproduce the sounds of the violent scenes in the above mentioned, and vice versa, and it is these specific violent scenes, where outlaws are surprised by the shrapnel or the extreme orgasms, which pull out laughs from the audience, mainly and almost exclusively the masculine one.
A plural-sensorial experience, all senses alert towards the final climax... and after all, he wasn’t by himself in the world... we’re here and are spread by all continents.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT FETISH
FETISH (from French fétiche; from Portuguese feitiço; from Latin facticius, "to make") is a natural object believed to have supernatural powers, or in particular an object created by people that has power over people.
Never forget that we are talking about Religion.
Although Freud's theory on fetishes may seem peculiar and was based on anecdotal evidence rather than empirical, he had discovered a critical aspect of human sexuality: the relationship between human orgasms and conditioning.
This is consistent with the theory that fetishism derives from behavioural imprinting in early childhood.It is also hypothesized that the modern world provides many opportunities for superstimulus based on objects that both mimic and exaggerate natural stimuli.
A SUPERSTIMULUS or SUPERRELEASER is an exaggerated version of a stimulus to which there is an existing response tendency, or any stimulus that elicits a response more strongly than the stimulus that normally releases it.
STIMULOS is something external that elicits or influences a physiological or psychological activity or response.
CELSO JUNIOR: THE KISS I
NISO and MAURÍCIO (THE KISS I)
Oil on Canvas – 1991
63 x 78 cm / 24,80” x 30,70”
Available
RE-ENACTING: O que é Re-enacting?
Re-enacting histórico, também chamado de "História ao Vivo", é a recriação dos eventos e do comportamento dos povos do passado.
Os Re-enactors, como passaremos a chamar aqueles que actuam e revivem um ou mais períodos escolhidos na história da humanidade, têm como objectivo tentar recriar as vidas e as situações que envolvem os povos que estudam ou que manifestam algum gosto ou curiosidade em particular.
Um Re-enactor pode ser qualquer pessoa, de qualquer sexo ou idade, desde um historiador, professor, aluno, aposentado ou apenas um curioso da história dos factos ou da história do próprio homem. Muitos re-enactors actuam e encaram este acto como um passatempo, porém muitos se dedicam a tempo inteiro tornando os Encontros e Eventos cada vez mais organizados e profissionais, aprofundando-se nas pesquisas, questionando a própria História e descobrindo permores que até então por ventura foram ignorados ou negligenciados.
Estes eventos ou Encontros, podem ser exposições públicas (por o exemplo, um airshow com velhos aviões em desuso, os eventos táticos (recriações de combate ou taticas de guerrilha) ou ainda a recriação de grandes batalhas históricas. Podemos assim dizer que os Re- enactors estabelecem uma ligação com o nosso passado. Mantêm a memória dos homens, das mulheres que viveram durante seu período de tempo como em um retrato vivo. Tentam inspirar nos povos de hoje uma paixão e uma compreensão da História e daqueles povos que viveram e morreram para nos deixar a herança que é o nosso Presente.
RE-ENACTING : What is Reenacting?
Historical reenacting, sometimes called "Living History", is the recreation of events and people of the past.
Reenactors study their chosen period or periods, then try to recreate the lives of the people they study. Many reenactors do this as a hobby, and participate in "events" several times a year.
These events may be public displays (for example at an airshow), tactical events (private re-recreations of combat), or public battles (reenactments of battles in the public eye).
Reenactors are a link to our past. They keep the memory of the men, women and children who lived during their time period of portrayal alive. They try to inspire in today's people a love and understanding of history, and of those people who lived and died to bring us to where we are today.
DOSSIER ESPECIAL NAZIS: RE-ENACTING: A Segunda Guerra Mundial como hobby
Como não era de estranhar, visto tratar-se de uma ideia requintada e diferente, em especial, os re-enactors da Segunda Guerra Mundial são muito mal interpretados e questionados sobre a sua ideia de hobby, curiosidade ou divertimento.
A maioria das pessoas não compreendem porque alguém teria prazer em vestir as roupas e uniformes de 60 anos atrás e deslocar-se pelo mundo a fora a gastar fortunas para passar dificuldades, encontrar-se em situações consideradas desconfortáveis apenas e só pelo prazer de reviver um periodo negro de nossa História.
Um jornalista Americano chegou mesmo a escrever que ”estes tipos precisam é de terapia” Típico comportamento de quem tem dificuldade em perceber o diferente e o inusitável.
Uma pesquisa recente entretanto, mostrou que são cerca de 6000 os re- enactors da Segunda Guerra Mundial só nos EUA, país onde esta actividade tem conhecido um desenvolvimento sem par.
As fotografias foram tiradas da Internet
ref. Re-enacting Groups
DOSSIER ESPECIAL NAZIS: RE-ENACTING: The WWII as a hobby
Many who hear about World War II reenactors have negative thoughts about the hobby.
For instance, most people can't understand why someone would want to dress up in clothing that went out of style 60 years ago, travel across the country to an event, then sit in a hole in the ground eating Spam in the middle of a thunderstorm.
One journalist was even heard saying that "those guys need therapy!"
A recent poll showed that around 6000 people are re-enacting World War II in the United States alone, as Americans, Russians, Germans, Polish, British, French, Canadian, and many other nationalities.
This number continues to grow rapidly.
Pictures were taken from Internet
Search: Re-enacting Groups
RE-ENACTING: Re-enacting B Movies
Some films to be re-enacted:
OPERATION CROSS EAGLES (1968)
THE DIRTY DOZEN THE FATAL MISSION (1988)
LA LEGIONE DEI DANNATI (1969)
HORNET'S NEST (1970)
FIVE FOR HELL (1969)
HELL'S BRIGADE (1969)
DOSSIER ESPECIAL NAZIS: REFERENCE: INTERNET
Stills from WHERE EAGLES DARE (1968) and SPYMAKER (1990) respectively
I found both images on Internet, interesting way to express their fetishes, I understand perfectly what they meant, the power of written words representing sounds and action.
We can find the same message on BD and cartoons.
DOSSIER ESPECIAL NAZIS: STUNTS
(A WAY TO RE-ENCATING)
A stunt is an unusual and difficult physical feat, or any act requiring a special skill, performed for artistic purposes in theatre or cinema. Stunts are a big part of many action movies. Before computer generated imagery special effects, there was no way of achieving these effects, except by using stunt performers who really would jump from car to car or hang from the edge of a skyscraper.
Stage Combat is the practice of creating the illusion of physical combat for plays, theater, or film. When a story or script calls for one character to act violently on another, stage combat is employed. The primary process of stage combat to create a visual and auditory picture which looks like real fighting, but in which none of the actors are harmed. This is done primarily by taking advantage of audience distance and fixed point of view, and by the actor's "faking" of appropriate strikes and responses.
Stage combat can include simple slaps and punches, basic hand to hand fighting, and advanced crafts such as swordplay, fighting with various weapons, and martial arts.
For example, if a script calls for one character to punch another in the face, the actor will place himself face to face with his partner, and then "throw" a punch which does not actually contact with the person he is "hitting." (the fist passes by the head, on the opposite side of the intended audience) At the same moment, the partner will jerk his head back as though he has been punched. Either one may also slap his hand against a soft part of their own body, creating a slapping noise, or knap. If the timing is correct, the illusion is very convincing, even for people watching at a very close distance.
There are literally dozens of variations just on a simple punch, and actors or choreographers choose the best one based on the story, the desired effect, and the placement of the audience.
In addition to using "fake" strikes, stage combat also often includes striking against a soft part of the body or striking very lightly, again counting on the response of the blow's recipient to "sell" that they have been hurt.
Advanced stage combat such as swordplay is mostly dependent upon careful choreography and extensive practice between the combatants. Scenes are choreographed and practiced at very slow speeds, and then slowly brought up to full speed as the actors become more secure. Actors develop cues within their combat to make sure their timing is the same. The combat phase of a play rehearsal is referred to as a fight call.
The primary concern of fight choreographers and stage combatants is ensuring the safety of the performers and audience. Even stage combat is risky, and it is perferable for actors to have as much training and experience as possible. Most professional actor training programs include studies in stage combat. A show which includes a great deal of fighting will most likely have a fight choreographer and a fight captain, who runs fight calls and ensures that actors are remaining safe.
Practical effects
One of the most-frequently used practical stunts is stage combat. Rather than actually striking an opponent, the actors stand a little farther away from each other. With learned skills and the careful placement of actors and the audience (in theatre) or the movie cameras (in film), one can hardly tell that the actors are not actually hitting one another.
Examples
Tripping and falling down
Fake fighting
Fake blood
High jump
ROLE-PLAYING: WHAT IS IT?
Denotes any game for which character development is the main driving gameplay mechanic. Typically one or more characters are created and shaped by the player, then embark on a series of encounters that increase the inventory, wealth, or combat statistics of said character(s).
Traditional role-playing games are turn-based and in a fantasy setting, but many fit into either different settings or are real-time instead of turn-based or even a combination of real-time and turn-based.
In role-playing, participants adopt characters, or parts, that have personalities, motivations, and backgrounds different from their own. Role-playing is like being in an improvisational drama or free-form theatre, in which the participants are the actors who are playing parts.
ROLE-PLAYING: ACTION
Any game where action (movement, quick thinking, reflexes, etc.) is the main focus of gameplay.
ROLE-PLAYING: SIMULATION
Models real-life situations and/or variables. Strategy war-games mimicking historic battles are simulations.
ROLE-PLAYING: ADVENTURE
Denotes any game where the emphasis is based on experiencing a story through the manipulation of one or more user-controlled characters and the environment they exist in.
... about a firefetishist
I have been receiving lots of emails about my blog, some of them asking about some especial fetishes.
I’m reproducing here part of one of these emails, its interesting text and subject, as well as posting some pictures that I’m sure he will enjoy a lot….
"Only one element you never seem to touch: fire.
OK, I am a firefetishist, and we are some around the world.
Firestunts and scenes and play with fire - myself included - wheremen (tries to) keep control of flames threatening to engulf them.A challenge - dangerous and scary, but beautiful to watch, andexciting to take part in.….Loco ?
Es posible, pero no importa - together with boots, uniformsand men - comes fire..."
Visit: http://groups.msn.com/FirePlay
REFERENCE: FILM – INGLORIOUS BASTARDS 1977
INGLORIOUS BASTARDS (1977)
Directed by Enzo G. Castellari
Also Known As:
Quel maledetto treno blindato (Original Title)
Bastardi senza gloria (Italy) (working title)
Counterfeit Commandos (USA) (reissue title)
Deadly Mission
G.I. Bro (USA) (reissue title)
Hell's Heroes
Cast: Bo Svenson as Sgt. Yeager, Peter Hooten as Tony, Fred Williamson as Fred, Michael Pergolani as Nick and Enzo G. Castellari himself plays a German Officer (uncredited)
Runtime: 99’
Country: Italy
Colour: Colour (Telecolour)
Sound Mix: Mono
Set in Europe during WWII, a group of American soldiers are in the process of being shipped off to military prison for a variety of infractions, ranging from desertion to murder. While they're being transported, a German artillery attack hits the convoy, killing the MPs and enabling four of the prisoners to escape. The group decides their best bet is to head to neutral Switzerland where they can avoid the fighting and prison. As they make their way to what they think will be freedom, they end up volunteering for a commando mission to steal a V2 warhead for the French Underground. Somehow, the team must sneak into the most heavily guarded base in German territory, steal the Nazi's most precious military hardware, and bring it back to the allies without getting arrested again by their own side.
This is my favourite War Film; it gets a lot of credit for actually willing to deliver a good amount of action right until the explosive finish.
The violence is rather graphic, noticing soldiers falling out of trains and hitting landfall, but that heightens the reality of the war experience.
It isn't rare to find Italian movies sleazy no matter how serious a situation is, and it's best kept that way.
Fred Williamson, known for BLACK CAESAR and other "blacktion" films, isn't at all a complete waste here, as long as naked broads in the water gain some vengeance in return for him stepping into the party.
Well done for an actor known to possess the "mean" image, but he's fair enough as a guy smoking a cigar out to do battle.
Enzo Castellari's direction comes to as a surprise for a few "trash" fanatics, just when realizing how he would soon manage to go full force on 1990: THE BRONX WARRIORS and GREAT WHITE.
A pretty good war flick from Pizzaland. Never saw so many Nazis getting machine-gunned before…
Goofs: Revealing mistakes: During several of the battles, the same actors can be seen dying multiple times, only from different camera angles, what is really HOT.
INGLORIOUS BASTARDS: Favourites Scenes I
A soldier being shooted and die shooting his own machine gun: the produced effect remind me a cock cumming …
That is the point.
INGLORIOUS BASTARDS: Favourites Scenes IV
The best scene ever made of shooting soldiers at a check point
TARANTINO’s Inglorious Bastards (2006)
Since this project is categorized as being in production, the data is subject to change
Set in World War 2, Tarantino's story revolves the remake of INGLORIOUS BASTARDS 1977 (see above reference)
In 2005, 'Quentin Tarantino ' was quoted as saying that he had written the script, a World War II story, but that he needed to convert it to a shooting script. He said that writing the script and preparing a shooting script were " two different things".
Looking forward to see Tarantino’s vision, especially on the violent scenes like this one above
ROLE-PLAYING: TALKING ABOUT SEX
Sexual role-playing is a form of role-play in which partners take parts in a drama that provides sexual gratification; Sexual role-play is common in BDSM.
Original stills from TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
ROLE-PLAYING: WHAT IS BDSM
BDSM is a term which describes a number of related patterns of human sexual behaviour. The major subgroupings are described in the abbreviation "BDSM" itself:
Bondage (BD)
Bondage & Discipline (B&D)
Domination & Submission (D&S, DS, D/S)
Sadism & Masochism (or Sadomasochism) (S&M, SM)
Many of the specific practices in BDSM are those which, if performed in neutral or nonsexual contexts, are widely considered unpleasant, undesirable, or disadvantageous. For example, pain, physical restraint and sevitude are traditionally inflicted on persons against their will and to their detriment. In BDSM, however, these activities are engaged in with the mutual consent of the participants, and typically for mutual enjoyment.
This emphasis oninformed consent and safety is also known as SSC (Safe Sane and Consensual), though others prefer RACK (Risk Aware Consensual Kink)), which places the emphasis more on informed consent, and acknowledges the fact that all activities are potentially risky.
Note that confusion can occur in translations between English and French, where the name "jeux de rôle" is applied both to game and psychodrama.
Sexual roleplaying is the sexual behaviour of playing some kind of character during a sexual encounter, in order to evoke a sexual fantasy in oneself and/or one's partner.
Sexual roles can be very general designations of power position, sometimes abstracted to TOP and BOTTOM or very specific, detailed fantasies. Nearly any role could become the base material for an erotic experience, but certain scenarios are typical in pornography and probably in real life as well, though it is difficult to collect empirical data on such things.
Many of the most common sexual roleplays, such as Doctor/Nurse, Guard/Prisoner, etc, involve a power differential. These roleplays are often, but certainly not always, carried out in the context of a BDSM encounter. See power exchange for more on power relationships and sex.
Often, and especially in cybersex, sexual roleplaying is used to act out a sexual act that would otherwise be taboo or forbidden.
There is lots of characters couplings in sexual roleplaying, for me the interesting one are:
Oficcer/Soldier
Captain/First Mate
Farmer/Pig
Historical Couples
Jailer/Prisoner
Prisoner/Prisoner
Master/Slave
Police Officer/Civilian
Police Officer/Suspect
Sergeant/Ensign
Stranger/Stranger
Original still from TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS and still from THE BUNKER (2001)
GUIDELINES
I have been in touch with a very special man; I want to make here a tribute to our friendship: Changing emails, once, I got one with the guidelines he sets when choosing movies: It was seven, at least three of them could be written by me:
1)…
2)…
3) The actors must be wear boots (the taller the boots the better)
4) The characters must be either soldiers, police,commandos, elite troops, guards, prison wardens or similar
5) Plenty of action (men getting gunned down, men getting slaughtered by all sorts of weapons (sword,knives, cross bows, spears, garden forks, axes, bowsor any weapon you can name it)
6)…
7)…
Stills from PROBABILITY ZERO and LA LEGIONE DEI DANNATI
ROLE-PLAYING: TALKING ABOUT HUMILIATION (BDSM)
In BDSM , humiliation is one psychological technique a TOP may use on a BOTTOM.
It is generally considered edgeplay because it touches strong emotional buttons, however this depends on the degree of intensity. Lesser levels of sexual humiliation might not be seen as so extreme.
Humiliation is a highly subjective issue, and depends greatly on context.
While in a dominant-submissive scene or relationship, the submissive takes a subordinate role and may be called "slave", "boy" or something similar.
The submissive may also make displays of subservience, such as CLEANING OR LICKING BOOTS, feet sniffing, walking a pace behind the dominant, only speaking when spoken to, etc.However, a dominant may take care over insulting the submissive.
Terms like "ugly", "stupid" or "worthless" could be considered abuse if this is not part of the understanding the top and bottom have negotiated for their role play scene, that insulting or humiliating language is part of the scene.
Humiliation play can involve physical and/or verbal methods. Some seek to be demeaned by acting a role, while others enjoy to be 'tonguelashed' and to be constantly told of their low status, and even be made to repeat this back to the humiliator.
Depending on the roles and persons involved, terms like "slut", "tart", "bitch" and "whore" may or may not be considered humiliation.
For some people, such names are a way of achieving ego reduction or getting over sexual inhibitions .
Between gay people, terms usually associated with homophobia may be used, such as "faggot".
Sexual Role-Playing may or may not involve humiliation.
Stills from IDI I SMOTRI (COME AND SEE) 1985
ROLE-PLAYING: WHAT IS TOP AND WHAT IS BOTTOM
In BDSM, a TOP is a partner who takes the role of giver in such acts as bondage, flogging, humiliation, or servitude.
The top performs acts such as these upon the BOTTOM, who is the person receiving for the duration of a scene.
Although it is easy to assume that a top is dominant and a bottom is submissive, it is not neccessarily so.
The top is sometimes the partner who is following instructions, he tops when, and in the manner, requested by the bottom.
A person who applies sensation or control to a bottom, but does so to the bottom's explicit instruction is a service top.
Contrast the service top with the pure dominant, who might give orders to a submissive, or otherwise employ physical or psychological techniques of control, but might instruct the submissive to perform the act on him or her.
The same goes for bottoms and submissives.
At one end of the continuum is a submissive who enjoys taking orders from a dominant but does not receive any physical stimulation.
At the other is a bottom who enjoys the intense physical and psychological stimulation but does not submit to the person delivering them.
It should be noted that the bottom is most often the partner who is giving instructions—the top typically tops when, and in the manner, requested by the bottom.
Original still from TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
DOSSIER ESPECIAL NAZIS
From TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
... You’ve asked me what kind of scene I would like to play, it is very difficult to answer because I like all war scene: I like very much to be killed when playing and to fall on the ground in mud or over other guy in boots or in some exciting position...
...
...I like very much the scene where the German officers are machine-gunned when chained on the wall and I liked very much to play the role of one of those German soldiers.…
...
...Fuck man!!! bondage and machine-gunned nazis!!!
Stills from Force 10 from Navarone (1978)
Modern theories of fetishism
Although Freud's theory on fetishes may seem peculiar and was based on anecdotal evidence rather than empirical, he had discovered a critical aspect of human sexuality: the relationship between human orgasms and conditioning.
Ongoing studies make this relationship more clear. For example, in a study published by Dr. Lique M. Coolen on April 14, 2003 at an Experimental Biology conference in San Diego, California, male rats accustomed to having sex in a particular cage will have elevations of "pleasure-inducing chemicals in the brain" simply from being in the particular cage, even if a female or a female scent are not present.
Sexual conditioning occurred. It has been hypothesized that human sexuality may similarly be tied to conditioning, and this may explain the phenomenon of sexual fetishism.This is consistent with the theory that fetishism derives from behavioural imprinting in early childhood, a phenomenon which is not only supported by anecdotal evidence in humans, but can be demonstrated experimentally in animals.
It is also hypothesized that the modern world provides many opportunities for superstimulus based on objects that both mimic and exaggerate natural stimuli.
Stills from PUPPET MASTER III
ROLE-PLAYING: ANECDOTAL EVIDENCE
Anecdotal evidence is unreliable evidence based on personal observations and experiences (often recounted by way of anecdote) that has not been empirically tested, and which is often used in an argument as if it had been scientifically or statistically proven.
The person using anecdotal evidence may or may not be aware of the fact that, by doing so, they are generalizing.
For example, a politician might publicly demand better teacher training facilities because their own son or daughter happens to have a spectacularly incompetent teacher, or conversely, might insist that schools are in fine shape because their own son or daughter happens to have a singularly wonderful teacher.
Anecdotal evidence is not fallacious per se; its characterization as unreliable must be understood to mean unreliable with respect to the scientific method.
Many (perhaps most) true phenomena are first observed in the form of anecdotal evidence.
Stills from Indiana Jones and the Last Crusade (1989)
REFERENCE: FILM - OVERKILL (2003)
OVERKILL
EUA, USA 2003
Realização/Director: A. H. Waugh
video – 30’– cor/colour
Intérpretes/Cast: Evan Loren, Will Peace, Dana McClure, Scott Johnson, Jesse Dean, Xavier Capela, Derek Dyrda, Leo Drulers, The Greek Brothers, Tomas Westlake, A. H. Waugh
v.o. inglesa /original English version
Se a expressão francesa "La Petite Mort" equipara o orgasmo à morte, não poderá o contrário ser verdade: que a própria morte pode ser um pouco orgásmica?É esse o pressuposto implícito em "Overkill", do realizador americano A. H. Waugh. Filmado na Florida, E. U. A., "Overkill" oferece um pesadelo recorrente de combate masculino e morte que é claramente sugestivo de fantasia homoerótica.
Uma dúzia de homens jovens e de rapazes encurralados numa selva interminável são tanto caça como caçadores; cada um irá repetidamente matar e ser morto até apenas restarem três... contudo, quem terá planeado isto, e como irá terminar?
Uma combinação de acção real com técnicas de animação inovadoras é utilizada para exprimir de uma forma gráfica até agora nunca vista o regozijo de matar e o falecimento orgásmico dos vencidos.
O combate homem-a-homem desapareceu virtualmente do mundo civilizado;
contudo, muitos homens parecem estar ligados a um instinto primário, subconsciente, de experimentar contacto físico com um adversário masculino, de dominar pela força física ou pela astúcia, e finalmente de despachar o adversário conquistado de uma forma deliberada e sádica, frequentemente impalando-o com uma arma; o simbolismo visual deste acto é tudo menos subtil.
Este instinto para muitos homens tem um subtexto sexual estimulante, e não é de forma alguma um fenómeno exclusivamente homossexual; de facto muitos homens heterossexuais reagem a este instinto e representações mais subtis do mesmo são frequentemente encontradas na cultura pop (por exemplo, no “Fight Club” de David Fincher), apesar de raramente abordado directamente.
"Overkill" apresenta uma expressão fantasiosa deste fétiche, com todas as suas peculiaridades; o filme não é acerca de violência sangrenta e espantosa; de facto, os ataques e as mortes são apresentados de uma forma idealizada, idílica, cujas verdadeiras origens só se tornam claras na conclusão, a qual torna claro que esta fantasia se infiltrou na cultura popular de forma mais profunda do que qualquer um de nós alguma vez sonhou!
If the French expression “La Petite Mort” equates orgasm with death, cannot the reverse also be true: that death itself can be a little orgasmic?
That is the proposition underlying “OverKill”, from American filmmaker A. H. Waugh.
Filmed in Florida, U. S. A., “OverKill” offers a recurring nightmare of masculine combat and death that is clearly suggestive of homoerotic fantasy.
A dozen young men and boys trapped in an endless jungle are both hunted and prey; each will repeatedly kill and be killed until only three are left...yet who has arranged this, and how will it end?
A combination of live action and innovative animation techniques are used to express in heretofore unseen graphic fashion the exhilaration of the kill, and the orgasmic demise of the vanquished. Man-to-man combat has virtually disappeared from the civilized world, yet many males seem to be hard-wired to a primal, subconscious instinct to experience physicalcontact with a male opponent, to dominate by physical strength or cunning, and finally to dispatch the conquered opponent in deliberate and sadistic fashion, frequently by impaling them with a weapon; the visual symbolism of this act is hardly subtle.
This instinct for many males has a sexually stimulating subtext, and is by no means an exclusively homosexual phenomenon; indeed many straight males respond to it, and more subtle representations of it are frequently visible in pop culture (for example, David Fincher’s, yet it is rarely approached directly.
“OverKill” presents a fantasy expression of this fetish, with all its peculiarities; the film is not about bloody, gruesome violence; indeed the attacks and deaths are presented in an idealized, dreamlike manner whose ultimate origins become clear only at the conclusion, which makes clear that this fantasy has seeped into popular culture further than any of us might have dreamt!
Wednesday, February 01, 2006
REFERENCE FILM: The Bunker (2001)
The Bunker (2001)
Directed by Rob Green
Cast: Jason Flemyng as Cpl. Baumann, Andrew Tiernan as LCpl. Schenke, Christopher Fairbank as Sgt. Heydrich, Simon Kunz as Lt. Krupp, Andrew Lee Potts as Pvt. Neumann, John Carlisle as Pvt. Mirus, Eddie Marsan as Pfc. Kreuzmann, Jack Davenport as LCpl. Ebert
Also Known As:
The Bunker: The Evil Is Within (UK) (DVD box title)
Runtime: 95 min
Country: USA / UK
Language: English
Colour: Colour (DeLuxe)
Sound Mix: Dolby Digital
Just a masterpiece!
Two especial scenes:
One German Officer sniffing another officer like an animal.
A German Soldier machine-gunned by mistake
Seven German soldiers are enclosed in one bunker during the Second World War. They soon feel surrounded by enemies. When they hear about the tunnel-system beneath the bunker and some mystic events that had occurred in this place, they soon begin to go mad...
SEVEN INTO HELL – A solved mystery
After so many years looking for this film I found it on an old Londoner video shop, I’ve paid a fortune to get it and when back home in Lisbon I realised that I already have it.
The film had another title and the director’s name was Henry Mankiewicz a pseudo name of León Klimovsky.
SEVEN INTO HELL (1968)
Also Known As:
Giugno '44 - Sbarcheremo in Normandia
Commando Attack Junio 44:
desembarcaremos en Normandía (Spain)
Directed by León Klimovsky also known as Henry Mankiewicz
Cast: Michael Rennie as Blynn, Bob Sullivan as Cliff and Guido Lollobrigida as Alan
Runtime: 96’
Country: Spain, Italy
Colour: Colour (Technicolour)
Sound Mix: Mono
Following the huge international success of Robert Aldrich's "The Dirty Dozen", Italian and Spanish directors began to crank out very similar-looking action flicks. "Commando Attack" is probably among the worst of the slew of commando movies to "grace" the late 1960s, distinguishable only because of the appearance by screen legend Michael Rennie and a superb Bruno Nicolai score.
American commandos are given three days to locate and destroy a radio station in Normandy. The "commandos" are all volunteers, mostly misfits and off-kilter types, immediately bringing to mind the dregs of the famed "Dirty Dozen".Director Klimovsky doesn't seem to care much for accuracy in any aspect of his film.
All he wants to do is deliver enough action to satisfy any blood-hungry viewer and rip-off " The Dirty Dozen" to make a fast buck as quickly as possible.
The Americans wear surplus NATO uniforms, the only accurate thing about them being the helmets. One officer is seen to bearing a post-WWII Air Force blue uniform, even though the Air Force didn't exist as an independent branch of the armed forces until WWII was over.
Americans and Germans alike are armed with modern weapons, including Beretta sub-machine guns and G3 assault rifles.
For an action-based movie, one would think the director would at least make sure his combat scenes looked decent.
Instead, Klimovsky disregards any realism. The Americans wander about the French countryside, killing off dozens of German soldiers who conveniently show up whenever the pace lags, as well as blowing up a few tanks, trucks and halftracks! And the German area command doesn't realize that enemy commandos have landed in their territory?
The German soldiers are total incompetents, who can't seem to raise, aim or fire their weapons and simply allow themselves to be mowed down by substantially smaller and insufficiently armed Allied troops.
What ought to be a climactic ending turns into a blatant Dirty Dozen rip-off, as the commandos assault a huge French château in a halftrack, shooting up the place and killing hordes of onrushing German soldiers. This sequence probably features the most unintentionally funny scenes in the movie, the first being a shot of an animated château exploding and the second being a scene of a German soldier running by the camera, his body ablaze, screaming in agony – but the fire looks face and the scream sounds fake, the whole shot just looks staged.
REFERENCE: BOOK - MEN'S ADVENTURE
from TASCHEN - FUNDAMENTAL
The best sellection of Posters since ages: You can find there magnificent illustrations from the 50’s to the 70th’s.
Excellent!!!
EXHIBITIONS: SOLDIERS, DEATH AND ORGASM Expectation - London 1994
SOLDADOS, MORTE e ORGASMO: CATARSE E TRANSFIGURAçÃO
Todo o homem é o resultado de uma herança, e essa torna-se IMAGINÁRIO.
Quando falamos de ARTE, esse imaginário pode tornar muitas formas. O artista constrói-se à medida que, a obra nasce. Segue, então, os seus próprios caminhos, mesmo que com isso seja criticado, vilipendiado ou até mesmo destruído no seu espírito.
Um artista é, quase sempre, um maldito, pois altera a ordem das coisas; é maldito, também, por transportar dentro do si a própria maldição da sua existência atormentada. A sua vida significa sacrifício, demolição, destruição lenta, mesmo que nos faça perceber que ela é o contrário do tudo isso.Um artista caminha de mão dada com o Demónio. Encontra nessa associação o seu maior prazer, pois não sabe quais os limites dessa viagem. É uma viagem interminável, mesmo que, à partida, ela conduza à sua morte inevitável, O artista ama e mata o próprio amor de matar. Mata-se a si mesmo todos os dias. Em cada quadro, em cada imagem, é uma parte do seu corpo que retalha e expõe, à, mercê do carniceiro ávido que é todo aquele que o contempla. É necessário sentir os pedaços intensos dessa obra, misturando-nos com eles, apaixonadamente, como se fosse o último dia da nossa vida.
Na pintura de Celso Júnior a presença do imaginário é constante e faz-nos apreender o outro lado do universo, que é aquele onde só as sombras existem: o espectro do mal, a dissolução pelo orgasmo, a profunda analogia do orgasmo com a morte, rito final só comparável perfeição absoluta.
A presença dos soldados é o mais claro sinal da existência desse imaginário pessoal, figuras fundamentais para a compreensão das motivações profundas da estética do pintor.
O soldado mata, mata com toda a violência de que é capaz, mas, para lá de matar, está pronto a receber a morte. o próprio retrato da predisposição. A sua maior missão não é matar, mas morrer, pois é na morte que está todo o segredo do Universo.
E é dessa associação entre o poder do orgasmo e a morte que nos falam estes quadros que, poderíamos dize-lo, Celso Júnior chegou a pintar com o seu próprio sangue.
Note-se, porém, que se trata de um reino de sombras onde só a cor poderá Imperar, pois o as cores que dominam as sombras e jamais o contrário. O próprio Demónio é muito colorido, comanda as cores do mundo, e é por isso mesmo que ele é o Senhor das Trevas. E é na presença da cor que se encontra essa herança cultural de que o artista jamais poderá divorciar-se. Celso vem do país onde é possível vislumbrar todas as cores do mundo.
É natural que esta vivacidade se encontre na nua obra plástica onde predomina a secura ávida do fogo, em todas as suas tonalidades demoníacas. O verde, o azul, o vermelho, o amarelo, o laranja e muitas outras, constituem a totalidade de um universo onde a estética do corpo se alia ao prazer da dor. Esta é a grande mensagem desta exposição, experiência irrepetível para quem vê.
Caminhar de mão dada com o Demónio é a primeira e a última condição do artista.
José Fernando Tavares (escritor e crítico literário)
Exhibitions: SOLDIERS, DEATH and ORGASM
Individual - Expectation - London 1994 – UK
NISO
Oil on Canvas – 199162 x 77 cm
Exhibited in London – Expectation 1994
Private Collection – London – UK
CELSO JUNIOR: DEATH and ORGASM
LUÍS V
Oil on canvas 1999
68cm x 48cm / 26,75” x 19”
Available
JOHN
Oil on canvas 1993
92cm x 70cm / 36,22” x 27,55”
Available
Uma vez mais vamos falar de morte e orgasmo: Estas pinturas que classifico em um dossier chamado DEATH, são o resultado das sessões onde meus modelos eram fotografados, em sequência e no exacto momento de atingirem o orgasmo “la petite morte”.
Destas punhetas memoráveis resultaram os quadros que representam o ultimo segundo de vida destas personagens.
Once more, let’s talk about death and orgasm: These paintings which I classify in a dossier called DEATH, are the result of sessions where my models were photographed at the moment they reached an orgasm "la petite morte".
From these memorable wanks resulted the pictures that represent the last second of their lives.
CELSO JUNIOR
CELSO JUNIOR: BRUNO I
Oil on Canvas – 1993
90cm x 59 cm / 35,43” x 23,22”
Available
CELSO JUNIOR: BRIAN
Oil on canvas 1999
70cm x 60cm
Private collection – Amsterdam – Holland
CELSO JUNIOR
CELSO JUNIOR: MARCOS
Oil on canvas 1992
125cm x 65cm / 49,20” x 26”
Available
CELSO JUNIOR: LE JOUER D’ACCORDEON (BRUNO WEBER)
Oil on Canvas – 1991
120cm x 80 cm / 47,24” x 31,49”
Available
CELSO JUNIOR
CELSO JUNIOR: - ZÉ PEDRO E MARCO
Oil on canvas 1996
115cm x 80cm / 45,27” x 31,49”
Exhibited at VAGEVUUR, Eindhoven – Holland 2005
Available
CELSO JUNIOR: CHARLES
Oil on canvas 1994
78cm x 68cm / 30,70” x 26,77”
Exhibited at Company Club, Milan - Italy 1996
Available
CELSO JUNIOR: PICTURES
Extract of a dialog…
bigorna: FUCK!!!!!!!
bigorna: that is best picture I ever see!!!!
gibro: thanks
gibro: believe me
gibro: I made it for you
bigorna: true?
gibro: yes
bigorna: I love this picture
gibro: I start to take pictures from the group
bigorna: he looks a bit like me !!!
gibro: glad you like
bigorna: really HOT!
REFERENCE: SITES: GREASETANK
Thanks a Ron for one of the best sites about Erotic and Fetishist Art.
Grease Tank is a not-for-profit online resource for the exploration and display of intense erotic artwork that is not readily accessible in the mainstream media.
Some may find these works controversial and disturbing.
You MUST visit it at: http://www.greasetank.com/
REFERENCE: GREASETANK ARTWORK
Enjoy the Fantastic Artwork by greasetank. You can find more as well as other artists at his site.
REFERENCE: CLUBS - BLUF (BREECHES AND LEATHER UNIFORMS FANCLUB)
BLUF is a club for men who enjoy wearing breeches and leather uniforms.
The club started on the Internet in October 1997 and has now - early 2005 - close to 1500 members.
The purpose is to give information on our club activities and, more in general, to celebrate the image of men in leather uniforms, boots and breeches.
The site contains thousands of pictures of men in boots and leather uniforms, most of which cannot be found anywhere else on the Internet.
The B in BLUF stands for Breeches but that is not our only interest.
We are also interested in other types of uniforms made of leather.
Real leather uniforms have become rare these days but in many countries police wear partially leather uniforms.
The American highway patrol cop with his tight fabric pants, shirt, tall boots and leather jacket is an icon known all over the world.
In other countries motorcycle police wear boots and leather pants with nylon or Gore-Tex jackets.
http://www.bluf.com/
Picture: Leon, aka Copfucker
BLUF Initiator & Web Administrator
Dutchman, 46yo, 1m78, 82kg,
dark-blond hair, cropped,
greyish-green eyes
Leon photographed by Celso Junior
Celso - BLUF member 667 since May 2002
REFERENCE: TV SERIE - COMBAT
COMBAT
USA – ABC Television Network from October 2nd 1962 to August 29th 1967
Black and White/Colour
152 episodes with 60 minutes each
Directed by Jus Addiss, Robert Altman, László Benedek, Richard Benedict, Michael Caffey, Alan Crosland Jr., Richard Donner, Georg Fenady, Tom Gries, Herman Hoffman, Burt Kennedy, James Komack, Vic Morrow, Paul Stanley, Boris Sagal, Sutton Roley, Ted Post, John Peyser, Byron Paul and Bernard McEveety
Combat depicted the lives of one platoon of soldiers fighting their way across Europe in World War II.
The long running show was very realistic, even to the point of using actual war footage in some episodes. And unlike many other WWII shows, this cast was sent to "boot camp" before filming began. Neither the war nor the cast was ever portrayed in a glamorous way.
Combat Cast
Rick Jason as Lieutenant Gil Hanley
Vic Morrow as Sgt. Chip Saunders
Pierre Jalbert as Caje
Jack Hogan as William G. Kirby
Dick Peabody as Littlejohn
William Bryant as McCall (1966-67)
Conlan Carter as Doc (1963-67)
Shecky Greene as Braddock (1962-63)
Tom Lowell as Billy Nelson (1962-64)
Steven Rogers as Doc (1962-63)
REFERENCE: TV SERIE – COMBAT
Typical sequence of COMBAT episodes, we always can find a machine-gunned Nazi
I suggest you to read the above article about Anecdotal Evidence
REFERENCE: RUBBER BOOTS
KNEE EXTRA HIGH BULLSEYES
Very famous brand, really popular among rubber boots fetishists,
I bought mine at Cover up on September 2003
REFERENCE: RUBBER BOOTS
Talking about Bullseyes I found this fantastic sequence from COMBAT where the Nazis fall down on the water and for this reason they are wearing rubber boots where the other members from the squad are machine-gunned wearing military boots.
Is quite difficult to realized that but certainly not by me!
REFERENCE: TV SERIE - GARRISON'S GORILLAS
Garrison's Gorillas - TV-Series 1967-1968
Directed by Michael Caffey and Nicholas Colasanto
USA: 26 episodes with 60’ each
Cast:
Ron Harper as Lt. Craig Garrison
Christopher Cary as Goniff
Rudy Solari as Casino
Brendon Boone as Chief
Cesare Danova as Actor
Inspired by the film "The Dirty Dozen", this series chronicles the adventures of a group of convicts recruited into the U.S. Army by the offer of a post-war parole.
Commanded by West Point graduate, Lt. Garrison, the "Gorillas" function as commandos behind Nazi lines.
Combat! Went off the air in 1967 after a successful, five year run. Garrison's Gorillas, also from Selmur Productions, took over Combat's same time period on Tuesday nights on ABC.
Where Combat had a great character actor in Vic Morrow leading a strong supporting cast, Garrison had Ron Harper in the lead, and by time he got to the Planet of the Apes TV series some years later, he was still just as wooden and one dimensional as he is here.
By now you would see the same sets and backgrounds on three different war shows. And by the late 60's war was a little too real on the evening news and these types of WWII shows looked unrealistic and had run their course.
Garrison's Gorillas was cancelled and replaced by The Mod Squad in 1968.
REFERENCE: TV SERIE - GARRISON'S GORILLAS
As well as in COMBAT, we can find at GG episodes the same kind of hot scenes and lots of machine-gunned Nazis.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog...
gibro: I love those old American TV series
bigorna: me also
gibro: lots of scenes for us
bigorna: Nazis always die
gibro: do you know that one?
bigorna: garrison
bigorna: yes
bigorna: yes the same uniform
gibro: I used to wank watching them when teenager
bigorna: me also
gibro: really?
bigorna: especially with Nazis
gibro: of course
bigorna: they are the best to attack
gibro: the front guy is hot
bigorna: yes he is my favourite
bigorna: very handsome
gibro: hot guy
bigorna: I think their cocks grow hard when they fight
gibro: I'm sure about that
gibro: I have been buying some war videos and the work of the stunts is magnificent
gibro: they play wonderfully
bigorna: yes, they fall very well
gibro: one soldier in camo uniform and cap get a knife on his chest
gibro: the way he die is great
gibro: shaking the head
bigorna: great
gibro: and fall down from some stairs
bigorna: wow
bigorna: very horny
gibro: he is handsome
bigorna: I love handsome soldiers
gibro: me too but also like the ugly ones
gibro: dirty and bad
gibro: big bellies and bearded faces
bigorna: yes
bigorna: but the uniform has to be Nazi
bigorna: for all
bigorna: which is your favourite?
gibro: love see them wearing the high boots
gibro: and helmets
bigorna: yes boots and helmets are important…
REFERENCE: FILM - HELL COMMANDOS (1970)
COMANDO AL INFIERNO (1970)
Also Known As:
7 Eroiche Carogne (Italy)
Hell Commandos (USA)
Directed by José Luis Merino
Cast: Guy Madison as Major Carter, Raffaella Carra as Sara von Kolström, Manuel Zarzo, Selvio Rossi as Sergeant Nolan (as Stan Cooper), Enrique Avila, Piero Lulli, Luis Induni, Antonio Mayans and Charly Bravo as (as Carlos Bravo )
Runtime: 92’
Country: Spain, Italy
Colour: Colour (Kodac) S
ound Mix: MonoGuy
Madison, yet again, stars as a commando officer who must lead a special unit to destroy a German bacteria. However, his men are accidentally killed by US deserters out for vengeance on the Nazis. He enlists these men to continue the mission with him in place of the commandos.
Merino brings back a number of actors from his earlier disaster THE BATTLE OF THE LAST PANZER, including ever-familiar Guy Madison ( HELL IN NORMANDY, THE WAR DEVILS ) as the tough commando leader.
The character has personality and depth unlike Garko in FIVE FOR HELL and Palace in BATTLE OF THE COMMANDOS. He's supported by Enrique Avila, Stelvio Rossi as the Sergeant; Manuel Zarzo( SUICIDE COMMANDO ) as a knife-throwing Indian; Luis Induni; Giuli Carr; and Raffaella Carra as the obligatory love interest who really does nothing but show off some skin. Plenty of familiar dubbing voices, too.
The combat scenes, especially near the end, are very well-choreographed with lots of machinegun fire and enemy troops chasing each other through the woods. Great scenery, too, and some nice mood-fitting music.
The script is full of stuff we don't see too much in 60s Italian war movies, like Gay SS officers, hordes of prostitutes, Wehrmacht men getting eaten apart by the plague, and attack dogs that carry lit sticks of dynamite back to their officers!
An excellent example of WWII B movie, one of the Best.
REFERENCE: FILM – KELLY'S HEROES (1970)
Kelly's Heroes (1970)
Also Known As:
The Warriors (USA) (working title)
Ratnici (Yugoslavia: Serbian title)
Directed by Brian G. Hutton
Cast: Clint Eastwood as Pvt. Kelly, Telly Savalas as MSgt. Big Joe, Don Rickles as SSgt. Crapgame, Carroll O'Connor as Maj. Gen. Colt, Donald Sutherland as Sgt. Oddball (tank commander)
Runtime: 144’
Country: Yugoslavia, USA
Colour: Colour ((Metrocolour)
Sound Mix: Stereo
Kelly's Heroes portrays a comedy within the boundaries of war's absurdity, the director never forgot that the point of comedy is to make us laugh. There's no message here, just pure entertainment. So, another B movie!
DOSSIER ESPECIAL NAZIS: Paintings and Machine Guns
LUÍS IV
Oil on canvas 1993
68cm x 48cm / 26,75” x 18,90”
Exhibited in Paris - IEM 1997
Exhibited in Stockholm – SLM 1998
Exhibited at 1st Lisbon Erotic Fair - Portugal 2005
Available
PEDRO PINTO
Oil on Canvas 1992
84cm x 92cm
Convent Garden Spa Collection – London UK
REFERENCE: from another fetishist guy
from: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
bullsoldier: Big dumb horny soldiers
bullsoldier: Mmmmmmmmmmm
gibro: suddenly
gibro: a crashed window
bullsoldier: Oh fuck
bullsoldier: We're screwed!
gibro: and from the window we can see lots of enemy soldiers holding their machine guns
gibro: no time to run away
bullsoldier: Oh no!
bullsoldier: We're gonna get plugged!
bullsoldier: We freeze
gibro: just be surprised
bullsoldier: Guns aim at us
gibro: we can't believe it! We have to dance to the music of machine gun fire
bullsoldier: Yes
bullsoldier: AKAKAKAKAKKAKAKAKAKA!
bullsoldier: AKAKAKKAKAKAKAKAKKAKAKA!
bullsoldier: Uugughghghghghghghgh!
gibro: aaaahhhhhahhhooouuuggggg oouuuhhhhhhg
bullsoldier: Ooohohohohofuck!
gibro: we three dancing, shaking our heads and arms
bullsoldier: OPooohohohoho yes
bullsoldier: Spurting
bullsoldier: Thick creamy loads
bullsoldier: Arcing out and going all over our bodies
bullsoldier: Hot sperm
bullsoldier: And blood
bullsoldier: Us falling
bullsoldier: Boots spread
gibro: over each other
gibro: rolling
bullsoldier: Mmmmmmmmm
gibro: fucking hot image
bullsoldier: Yes
bullsoldier: So hot
bullsoldier: Really hot
…
...
...the first movie I saw about Nazi and SS soldiers is from "Escape to Athena" starring Roger Moore.
There were many gun battles and you see dozens of Nazi soldiers getting mowed down by machine guns. I have to stop the video player a couple of times because of the intense sexual arousal from watching the scenes...
Reference: Stills from "Escape to Athena"
DOSSIER ESPECIAL NAZIS: COLLECTIONS: RUBBER COATS
Luv them...
COMMENT:
helmetbear said...
oh, celso,I do not find the place, to start a comment,do you know, I love helmets and rubber coats,
helmetbear 12/9/05 11:10
DOSSIER ESPECIAL NAZIS: COLLECTIONS: RUBBER COATS
Some shots from TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Angelo and I, we’ve been filming during last automs and our new documentary is almost finished. All the sequences are done as well as all images from archives are selected, as you can check at the posts below.
The doc still needs to be edited and we are planning to do it after my return to Lisbon next March.
From now you can see some frames as well as some dialogues associated with the archive images
Enjoy!
DOSSIER ESPECIAL NAZIS: RE-ENACTING: Re-enacting Filmes Série B
Fotografias do Documentário TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS de Celso Junior e Angelo Tavares
DOSSIER ESPECIAL NAZIS: RE-ENACTING: Re-enacting B Movies
Stills from TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS by Celso Junior and Angelo Tavares
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Original Stills: A Complete Sequence
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
bullsoldier: I have lots of movie channels here, so it should be on soon again
gibro: he is big and has a dumb handsome face
bullsoldier: Like me!
gibro: he made some videos from himself dying
gibro: I also have some pictures, not dying but with dumb face
bullsoldier: Hehehe
bullsoldier: Good
bullsoldier: Ooh I love the mud
bullsoldier: And such nice boots
gibro: I love mud too
bullsoldier: Squishy sexy mud
bullsoldier: So nice to have big dumb troopers fall down in
bullsoldier: Grinding their big butts into it as they scream and die
bullsoldier: Nice butt
bullsoldier: Mmmm
gibro that is a kind of dream for me
bullsoldier: Yes
gibro: German bikers falling dawn over mud after a hard gunfire
bullsoldier: Hehe
bullsoldier: Like in Indiana Jones
gibro: could be
bullsoldier: There's my big dumb soldier wanking off
bullsoldier: In his boots and breeches
gibro: could be thinking on yours “All fall down”
gibro: love your face there
bullsoldier: Yes where this soldier gets plugged and goes down moaning
bullsoldier: Thanks!
bullsoldier: The dumb "Oh shit I got shot!" face
gibro: that is itgibro could you imagine you and me role-playing two sentries
bullsoldier: Hehe
bullsoldier: Strutting in our big boots
gibro: wanking together and be surprised for the song from a machine gun
bullsoldier: Probably drooling over each other
bullsoldier: Yes
bullsoldier: AKAKAKAKAKAK
bullsoldier: Two big dumb sentries wasted
gibro: getting shoot and cumming at the same time
bullsoldier: He shoots us and we shoot our jizz
bullsoldier: mmmmm
bullsoldier: big dumb sentries
gibro: better if we have some more of us
bullsoldier: big dumb faces
bullsoldier: yes indeed
gibro: five or six men falling down together
bullsoldier: Hehehe
gibro: dumb faces
bullsoldier: Moaning and yelling
gibroo: some firing their machine guns without a target
bullsoldier: I hope to score some good dumb cop pictures this weekend
bullsoldier: Yes
bullsoldier: Hehe
bullsoldier: Wildly into the air
bullsoldier: boots kicking
gibro: or still better
gibro: firing his own comrades
bullsoldier: hehe
bullsoldier: killing his own buddies
bullsoldier: Making them groan and fall and spurt their loads too
gibro: the first one is shoot and start firing over his buddies
gibro: surprised
bullsoldier: nice!
bullsoldier: I like that…
REFERENCE FILM: Indiana Jones and the Last Crusade (1989)
Directed by Steven Spielberg
Cast: Harrison Ford as Indiana Jones, Sean Connery as Professor Henry Jones, Denholm Elliott as Dr. Marcus Brody, Alison Doody as Dr. Elsa Schneider, John Rhys-Davies as Sallah, Julian Glover as Walter Donovan, River Phoenix as Young Indy
Runtime: 127 min
Country: USA
Language: English / German / Greek
Colour: Colour (DeLuxe)
Sound Mix: 70 mm 6-Track (70 mm prints) / Dolby (35 mm prints)
The daring archaeologist and his father search for the Holy Grail and fight the Nazis
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog...
gibro: blade, I found a film that could make you crazy
blade: oh yesblade: what is it ?
gibro: RESISTANCE
blade: sounds good
gibro: a French film
gibro: just one scene
gibro: but made for you
gibro: a young sentry
gibro: wearing boots and helmet
gibro: trying to get warm in a cold night
gibro: we see only a hand holding a blade
gibro: and zazzz
gibro: direct thru his throat
blade: wow
bigorna: sounds like a good scene blade
blade: what do you think bigorna?
bigorna: perfect
gibro: well after kill the first sentry the partisans machine-gunned two other sentries
gibro: we also see the jet of blood
gibro: and a surprised face
gibro: after fall down he continues to trembling
blade: I want to see this film
bigorna: sounds like a great scene
blade: sounds good bigorna
gibro: also find some nice images for you bigorna
bigorna: thanks very much gibro
gibro: sentries getting a hand on their mouths
blade: I know this image
bigorna: new for me
blade: from Devils Brigade
gibro: yap
blade: bigorna and I watched it last week
bigorna: great pictures
blade: do u have images from RESISTANCE ?
...
REFERENCE FILM: RESISTANCE
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
blade: there is a Asian film called Pink Commandos where the enemy are Chinese men dressed as Nazi soldiers!
gibro: my goodness
gibro: like the Bridge of Dragons
gibro: the same
blade: I don’t know that one. Tell me more
gibro: fucking hot
gibro: and they are killed?
blade: so young looking
gibro: true
gibro: you haven't it yet
blade: don’t know how to get it. It’s rare
blade: are there Nazi soldiers??
gibro: oh yes
blade: Chinese?
blade: wow! I’m just reading about this Bridge of Dragons
gibro: so?
gibro: hot isn't it?
blade: wow! Just my sort of thing. Have u seen this film?
gibro: I have it
blade: and do any Nazi guards get killed?
blade: so Asian guys are dressed as Nazi soldiers?
blade: just seeing Asian men wear Nazi uniform is sexy for me
…
…
blade: ok. So tell me about this Bridges of Dragons
gibro: I'll watch once more tonight
blade: just the thought of Asian soldiers dressed in pseudo-nazi uniforms was enough for me to buy it
gibro: in this case you will have some fun
blade: what are the uniforms like? Helmets? Boots?
gibro: exactly! Green brown uniforms, high boots and nazi helmets
blade: wow
blade: I trust some get killed
gibro: lots of them
…
…
blade: Asians in Nazi uniforms, helmets and tall boots look great
gibro: any guy wearing that looks great
blade: true
blade: all those cheap war films made in the Philippines in 1980's
blade: so many eager young men to wear uniforms and appear as extras
gibro: don't know to much about that
blade: I want to know more about these films
blade: they would do anything just to be in a film and get some money. I fantasise about making my own and using lots of Asians as enemy soldiers
gibro: nice idea
blade: shiny helmets low over their eyes, tight uniforms and very tall shiny black boots. One by one killed in different ways
gibro: wow
blade: preferably by large western guys with beards
blade: mercenaries helping rebels fight a fictitious dictator in Asia
blade: sneaking into a fortress at end of film - slitting throatsblade: strangling them with wire
blade: silencer bullets
blade: crossbows
gibro: FUCK!!!
...
…
gibro: try to rent a film BRIDGE OF DRAGONS
bullsoldier: Bridge of Dragons
bullsoldier: Sounds medieval
gibro: nop
gibro: Nazi and Chinese and Gypsies together
bullsoldier: Whoa!
bullsoldier: Sounds bizarre!
gibro: it is
gibro: the Nazi are Chinese
bullsoldier: Chinese Nazis?
gibro: there is a dumb gypsy wearing tall boots getting a knife into his belly
gibro: You must see the face
gibro: a real dumb face
bullsoldier: Ooooooooh
bullsoldier: Big dumb "Oh shit I'm gonna die!" face
gibro: yes, he got the knife and we only can see his face
gibro: large lips
gibro: tongue out
gibro: opened eyes
gibro: surprised face
bullsoldier: Sounds good…
REFERENCE FILM: Bridge of Dragons (1999)
Directed by Isaac Florentine
Cast: Dolph Lundgren as Warchild, Cary-Hiroyuki Tagawa as Ruechang, Valerie Chow as Halo (as Rachel Shane), Gary Hudson as Emmerich
Runtime: 95 min
Country: USA
Language: English
Colour: Colour
Sound Mix: Dolby
No Reasons! No Rules! No Submission! No Mercy!A warrior torn between loyalty and honour.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
blade: nice ! what film are these pictures from ?
bigorna: fuck, great pictures!
gibro: bad, bad film called ZOOMBIE LAKE
blade: blimey!
blade: cute!!
bigorna: I LOVE them!
blade: love to see u in that shiny helmet bigorna
bigorna: I will polish my helmet
blade: great pictures gibro
bigorna: yeah thanks gibro
bigorna: u have made two sentries very happy
gibro: they are made for us
blade: u could take us both out
gibro: that is my duty
blade: smash our helmets together
bigorna: YES!
blade: or throttle us both - one hand each
bigorna: gibro, do u want me and blade both attacked together?
gibro: of course
bigorna: both in uniform with boots, helmets, guns
…
…
bigorna: I am always by your side soldier
blade: on duty
gibro: we were talking about both of you
gibro: getting fired together
gibro: could be nice
gibro: both of you in a hot moment
gibro: kissing
gibro: and be surprised by knives
gibro: one sifter other
bigorna: both hard
bigorna: good scene
blade: I like it
gibro: Blade could be the first
bigorna: me also
gibro: a knife thru his throat
blade: aaghk!
gibro: Bigorna can see blade falling and turn
gibro: too late
gibro: another knife on his chest
bigorna: ARGGGGGGGGGGGGGHK!
gibro: ooooohhhhhhhh
gibro: Fuck! I’m horny
blade: me too
bigorna: me also!
gibro: handsome sentries
gibro: falling down
gibro: body against body
gibro: helmet against helmet
bigorna: helmets crashing
bigorna: mmmmmmmm...
REFERENCE FILM: Le Lac des Morts Vivants (1981)
Directed by Jean Rollin
Cast: Howard Vernon as The Mayor, Anouchka as Helena, Antonio Mayans as Morane (as Robert Foster), Pierre-Marie Escourrou as German Soldier (as Pierre Escourrou)
Also Known As:
Lago de los Muertos Vivientes, El (Spain)
The Lake of the Living Dead
Zombie Lake (USA)
Zombies Lake (Europe: English title)
Runtime: 90 min
Country: France / Spain
Language: French
Colour: Colour (Eastman colour)
Sound Mix: Mono
In a small village, somewhere in France, dead German soldiers, killed and thrown into the lake by the Resistance during WW II, come back.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
bullsoldier: Evil you
bullsoldier: Dreaming of big dumb men being shot
bullsoldier: Like us
bullsoldier: And cumming and being dumb and thrashing
bullsoldier: Boots waving
bullsoldier: Butt jiggling
bullsoldier: Cocks spurting thick dumb cum.
bullsoldier: Big dumb horny soldiers falling down under the fire from their on machine-gunned comrade.…
REFERENCE FILM: Uzicka republika (1974)
Directed by Zivorad 'Zika' Mitrovic
Cast: Boris Buzancic as Bora, Bozidarka Frajt as Nada, Rade Serbedzija as Oficir
Also Known As:
67 Days: The Republic of Uzhitze (International: English title) (informal title)
Guns of War (USA)
Runtime: 170 min
Country: Yugoslavia
Language: Serbo-Croatian
Colour: Colour (Eastman colour)
Sound Mix: Mono
This film, one of great war epics typical for 70s' Yugoslavia, is a story about Serbia in 1941.
Few months after German panzers forced Yugoslav Royal Army to capitulate, organized resistance is turning into massive uprising against occupying forces.
Partizans, led by Communist party, manage to chase Germans from huge territory later known as the Uzice Republic. However, forces loyal to King have some other ideas.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
Gibro: I saw a horny new film
Gibro: dirty dozen the next mission
Gibro: with a super hot scene
Bigorna: what scene?
Gibro: you and Blade could be there
Gibro: well almost all film
Gibro: the Americans are wearing SS camo uniforms
Gibro: is hot
Bigorna: I love SS camo
Bigorna: Blade and me will buy those soon
Gibro: the scene is in a firefight in a cave
Gibro: the fake SS fighting against Nazis
Bigorna: sounds very horny
Gibro: after kill almost all of the Nazis
Gibro: 3 or 4 fakes SS are line below some huge recipients of vine
Gibro: as well 4 Nazis at the other side
Gibro: silence
Gibro: both groups are looking for the other group
Bigorna: wow
Bigorna: they are all in helmets?
Gibro: of course
Gibro: they are wearing uniforms like yours
Bigorna: perfect
Gibro: the fakes SS camo jackets and high boots
Gibro: suddenly the 4 Nazis are surprised for the violent fire of the SS - machine guns
Gibro: they are really surprised and haven't no escape except to die together sliding on the wall
Bigorna: sounds like a very hot scene
Gibro: it is! believe me
Gibro: very hot film
Gibro: seems to me that you and Blade could be there perfectly
Bigorna: Blade and me machine-gunned together
Gibro: and 2 more guys
Gibro: oh yes
Gibro: I dream to see that
Bigorna: yes two more horny Nazi guards
Gibro: both of you getting a hard fire over you
Gibro: wow
Gibro: I was thinking about which film the image is from
Bigorna: I think it is from a different dirty dozen film
Gibro: could be
Gibro: they are 4 titles
Gibro: are you working now?
Bigorna: no
Gibro: wearing your uniform?
Bigorna: no not now mate
Gibro: hehehe
Bigorna: wish I was
Gibro: how hot men look wearing a Nazi uniform
Gibro: fucking hot picture
Bigorna: yes but not officer
Bigorna: must be helmets
Gibro: I do prefer soldiers too
Bigorna: yes
Gibro: I'm crazy by helmets
Bigorna: me too...
REFERENCE FILM: The Dirty Dozen: The Next Mission (1985) (TV)
Directed by Andrew V. McLaglen
Cast: Lee Marvin as Maj. John Reisman, Ernest Borgnine as Gen. Worden, Ken Wahl as Louis Valentine, Larry Wilcox as Tommy Wells, Sonny Landham as Sam Sixkiller, Richard Jaeckel as MP Sgt. Clyde Bowren, Wolf Kahler as Gen. Sepp Dietrich, Gavan O'Herlihy as Conrad E. Perkins, Ricco Ross as Arlen Dregors,
Country: USA
Language: English
Colour: Colour
Based upon "The Dirty Dozen,"Major Reisman is "Volunteered" to lead another mission using convicted army soldiers, sentenced to either death or long prison terms. This time their mission is to kill a Nazi general who plans to assassinate Hitler.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
gibro: another film
gibro: ENDGAME
gibro: in a post nuclear time
bullsoldier: Sounds familiar
gibro: the evil policemen are wearing high boots, black long rubber coats, gas mask and Nazi helmets
bullsoldier: Whoa!
bullsoldier: I need to see this!
gibro: there is a guy on our club who loves wear that
bullsoldier: Yes
bullsoldier: I like it too
bullsoldier: So evil looking and hot
gibro: could you imagine a army like that getting shot by a huge machine gun guided by a paranormal child?
bullsoldier: mmmmmmmmmm
bullsoldier: Is that the movie?
gibro: we only can see the machine gun firing
bullsoldier: Wow
bullsoldier: I need to see this film!
bullsoldier: I'd make a good Nazi
gibro: a huge and dumb one
gibro: did you check the guy from Vienna?
bullsoldier: Four big booted dummies
bullsoldier: Yes I did
bullsoldier: He looks great!
gibro: he is
bullsoldier: Have u met him?
gibro: not yet
gibro: but I will soon...
bullsoldier: Go meet him!
bullsoldier: Hehehehe...
REFERENCE FILM: Endgame - Bronx Lotta Finale (1983)
Directed by Joe D'Amato
Cast. Al Cliver as Shannon, Laura Gemser as Lilith (as Moira Chen), George Eastman as Karnak, Jack Davis as Prof. Levin, Al Yamanouchi as Ninja
Also Known As:
Endgame - Bronx lotta finale (USA) (cable TV title)
Endgame, gioco finale (Italy)
Runtime: USA:98 min
Country: Italy
Language: Italian
Colour: Colour
Sound Mix: Mono
This is Italian exploitation flicks at it's best. Guess this one came because of the post-apocalyptic hype after "Escape from New York" and "Mad Max", and got stuff like "Rollerball" also in it.
Of course it's an awful movie full of missing links. But here is simply no need for explanations, this question would be stupid.
It's the full atmosphere of 80ies italo exploitation thrash: good explosions (gas!gas!gas! - nothing digital! I reminisce in nostalgic), crazy overacted characters, some bare breasts, a setting full of cheap dirt.
Those movies are so honest in their cheasiness and roughness, I love 'em. - And the 60's, 70's and 80's were best!
Italy full ahead! A pitty the video-market got down and what is left is filled by the majors with hollywood-cheapos exploiting themselves with their own cheap rip-offs which have no life of it's own; a pity, no good exploitation-scene nowadays...
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
blade: still that's good to see them killed. Sure there are some guards silenced
gibro: in WAR DEVILS there are lots of sentries killed
gibro: but in my style
gibro: with a silencer gun
blade: good
gibro: huge guys
gibro: tall and big guards
blade: what did you think of the sentry kills in opening of Commando Leopard?
gibro: Fucking good! lots of machine gun fire and guards falling dawn with open legs up
gibro: my favourite is that one who get a arrow on his back
blade: whilst he's smoking
gibro: yap
blade: I like the first kill - the sounds as his throat is sawed open
gibro: the noise of the sentry killed on IL GRANDE ATTACO is made for you
gibro: that who get a knife into his throat
blade: mmmm mmmm great
gibro: we never see his face
gibro: so
blade: see him from behind?
gibro: yap
blade: is he stood or sitting?
gibro: sitting
blade: great. And is his mouth covered with hand?
gibro: the commando jump in front of him and push the knife into his throat
blade: sounds good
blade: what does the commando who kills him look like?
gibro: is a diverblade: great
…
…
Bigorna: great if u would paint me and Blade together as sentries
Gibro: two sentries dying
Bigorna: yes
Gibro: it will be like at the Inglorious Bastards scene
Gibro: a cut throat for him and a garrotte for you
Bigorna: I want to be the one with rope around neck
Bigorna: I love that scene
Gibro: me too
Bigorna: it is perfect
Gibro: I also want a scene of both of you getting knives at the same time
Bigorna: yes that would be good also
Gibro: I want to see your cocks hard inside your pants
Bigorna: my cock is always hard when on duty with Blade
Bigorna: he is so tall and handsome
Gibro: you could be lovers
Bigorna: that would be great
Bigorna: we could wear uniform all the time
…
…
Bigorna: yes, but we need a partisan
Bigorna: to attack us…
REFERENCE FILM: I Diavoli della Guerra (1969)
See below
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
gibro: how are you soldier?
blade: good. You?
gibro: got some new WWII titles for my collection
gibro: some are really good
blade: wow! What are they?
gibro: HELL RIVERS
gibro: WAR DEVILS
gibro: IL GRANDE ATTACO (a good scene for you here)
blade: what happens?
gibro: it is amazing because this film is exactly a copyof BATTLE OF COMMANDOS
gibro: same sequences but with different actors
blade: any sentry kills?
gibro: the scene is some divers attacking a bunker
gibro: one sentry is walking around
gibro: and see the commandos
gibro: a knife in his back (he is young as you like)
gibro: earlier twenties
gibro: two other seated and chatting
blade: really?
gibro: suddenly they are killed by the commandos
gibro: the first get a knife in his chest
gibro: the second get a knife in his throat
blade: wow
blade: beautiful
blade: do they wear helmets and boots?…
REFERENCE FILM: La Legione dei Dannati (1969)
Directed by Umberto Lenzi
Cast: Jack Palance as Col. Charley MacPherson, Thomas Hunter as Capt. Kevin Burke, Claudio Undari as Pvt. Raymond Stone (as Robert Hundar), Wolfgang Preiss as Col. Ackerman, Helmuth Schneider as Pvt. Sam Schrier, Guido Lollobrigida as Pvt. Tom Carylyle (as Lee Burton), Aldo Sambrell as Sgt. Habinda
Also Known As:
Battle of the Commandos
Brigada de los condenados, La (Spain)
Die zum Teufel gehen (West Germany)
Legion of the Damned
Runtime: 95 min
Country: Italy / Spain / West Germany / Switzerland
Language: English / Italian
Colour: Colour (Eastman colour)
Irish Colonel Charlie McPhearson has just had his platoon of twenty-eight slaughtered by German troops.
Angered at his superiors for this suicide mission, he takes convicts on his next, along with fornicating American explosives technician Major Burke, to defuse underwater mines so that a commando squad can prepare for a June 10 invasion to destroy a tank gun.
Because Colonel Ackerman, whose troops killed his last platoon, is the leader of the platoon in charge of the gun, McPhearson insists on trying to complete the commandos' mission.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
blade: would you like to slit my throat ?
blade: I’d like to pose for those web cam photos with a big hairy bear killing me from behind
gibro: I would like to be this bear
blade: you are my type for the sentry scenes !
blade: kill me as a sentry in helmet and boots and in shorts and white knee socks
gibro: I would like to see you cumming at the moment when your throat is cut
blade: it happens when it is cut
blade: shooting over my boots
blade: do you like my neck ?
gibro: beautiful
gibro: would like to have my gloved hand holding it and the other one holding a knife
blade: would you cover my mouth ?
gibro: sure, and you will be holding a machine gun
blade: yes - on guard duty
gibro: and when I cut your throat you will die firing it against other soldiers
gibro: they will be surprised for your gunfire
blade: he he he
gibro: I dream with this image
blade: still holding onto my gun as I’m pulled back having my throat slit
gibro: you dying and killing at the same time
blade: my boots kicking out
blade: spurting cumblade: I get what I deserve. Enemy killed by partisan
gibro: surprised your bastard Nazi?
gibro: you bastard fucking Nazi
blade: young soldier in his prime. No mercy
gibro: I could imagine the sound of you
blade: aaarrrhhhkkkkkk
gibro: mixed with your orgasm
blade: the sound of steel slicing through throat, the gurgle and smothered scream.
blade: my throat is opened with your knife
gibro: I also cum and before open fire with your machine gun you felt the hot of the blood from your throat and the hot of my cum among your legs
blade: wow
blade: I want to feel your beard against my smooth cheek as you slit my throat. The contrast of the young, smooth sentry - shaved to be slaughtered by a bearded manblade: long slender necks make easy targets for partisans with beards and knives
gibro: I can't see your face just feel your neck
gibro: saliva on my glove
blade: clean young sentry with polished boots and fresh uniform
blade: long white socks sweaty under my boots
gibro: I'm cutting you now
blade: I’ve cum…
REFERENCE FILM: The Devil's Brigade (1968)
Directed by Andrew V. McLaglen
Cast: William Holden as Lt. Col. Robert T. Frederick, Cliff Robertson as Maj. Alan Crown, Vince Edwards as Maj. Cliff Bricker, Andrew Prine as Pvt. Theodore Ransom, Jeremy Slate as Sgt. Maj. Patrick O'Neill, Claude Akins as Pvt. Rockwell 'Rocky' Rockman, Jack Watson as Cpl. Wilfrid Peacock
Runtime: 130 min
Country: USA
Language: English
Colour: Colour (DeLuxe)
Sound Mix: Mono
During World War II a special fighting unit is formed combining a crack Canadian outfit and a conglomeration of US Army misfits previously serving time in military jails. After an initial period of conflict between the two groups, their enmity turns to respect and friendship and the unit is sent Italy to attempt a dangerous mission, which has heretofore been considered impossible to successfully complete.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
bullsoldier: Oh definitely
bullsoldier: I jack off all the time!
gibro: I have been doing the same
bullsoldier: Well
bullsoldier: Nothing wrong with that!
bullsoldier: What are the belt clips in Files?
gibro: original American re-enacting groups
bullsoldier: Wow!
bullsoldier: I didn't even know
bullsoldier: There were WWII re-enactors
gibro: could you imagine so many equipment
bullsoldier: Yes it must be a fortune in stuff!
gibro: oh dear
bullsoldier: And such good-looking men
bullsoldier: Booted and cuffed
gibro: could you imagine him getting a gunfire on his belly and falling back?
bullsoldier: AKAKAKAKAKAKAKAKAK
bullsoldier: Yes
gibro: I have been fantasising with you and capsoldier
bullsoldier: Oooh
bullsoldier: Have u
bullsoldier: Has you been naughty?
gibro: evil
bullsoldier: Good
bullsoldier: Evil you
bullsoldier: Dreaming of big dumb men being shot
bullsoldier: Like us
bullsoldier: And cumming and being dumb and thrashing
bullsoldier: Boots waving
bullsoldier: Butt jiggling
bullsoldier: Cocks spurting thick dumb cum
bullsoldier: He was so damn sexy
bullsoldier: I wanna hump him
bullsoldier: Hehehe…
REFERENCE FILM: Zone Troopers (1986)
Directed by Danny Bilson
Cast: Tim Thomerson as The Sarge, Timothy Van Patten as Joey, Art LaFleur as Mittens, Biff Manard as Dolan, William Paulson as The Alien, Peter Boom as Col. Manheim, Max Turilli as SS Sgt. Zeller
Runtime: 86 min
Country: USA
Language: English / German
Colour: Colour
Sound Mix: Mono
In Italy during WW II, a patrol of American soldiers discovers a space ship that has crash-landed in the woods, and they come across its alien crew.
A nearby Nazi unit also finds out about the alien craft, and sends a patrol to capture it and the Americans.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract od a dialog...
bullsoldier: mmmmmmmm
bullsoldier: Huge beefy Nazi dummies
gibro: silencer guns
gibro: the guys are really tall and handsome
bullsoldier: hehehe
bullsoldier: oooh yes
bullsoldier: prime beef cut down
gibro: they fall down in a violent way and opened legs up
bullsoldier: yes
bullsoldier: big boots wiggling
gibro: they fall dawn still shooting their machine guns shaking arms and hands
bullsoldier: WOW!...
Reference: COMBAT
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
…Extract of a dialog
gibro: your performance falling down was perfect
capsoldier: not absolutely perfect
gibro: perhaps, because I wasn't there
capsoldier: with a big rifle bat on the helmet its will be more perfect
gibro: I would like to play the two attacked sentries
capsoldier: clonk, clonk
capsoldier: two sentries are staggering around
capsoldier: clonk, clonk
gibro: ahhhhaaaaaa
capsoldier: two sentries staggering to gather with their helmets
capsoldier: clonk !!!!!!
gibro: machine gunned and run against a wall
capsoldier: falling one over the other
gibro: betting the helmets against the boots
capsoldier: you see many rubber, shiny helmets, big boots, and happy smiling faces
capsoldier: one helmeted face looking through the legs from the other sentry
gibro: oh fuck
capsoldier: on left and right from the helmet you the boots
capsoldier: .... you see the boots...
gibro: two sentries wanking together and being surprised for some partisans
gibro: partisans wearing rubber boots
capsoldier: the two wanking sentries standing in front of a wall
gibro: and
capsoldier: some times one sentry look to the other
capsoldier: one sentry lay his arm around the other
capsoldier: and help for wanking
gibro: mmmmmmmm
capsoldier: and then.....
capsoldier: bam, bam
gibro: hhhhhuuuuuuuuugggg
gibro: ahhhhggggggg
capsoldier: two rifle bats meet ever helmet, and again clonk, clonk
capsoldier: ...every..
capsoldier: the sentries staggering and wanking
capsoldier: smiling
gibro: in their duty
gibro: I like when they are killed smiling
capsoldier: two big hands bang the helmets together , wammm!!!
capsoldier: more wanking
capsoldier: more staggering
capsoldier: and now the helmets against the wall, left sentry- clonk, right sentry clonk
capsoldier: then the helmets together and then together against the wall
gibro: falling with their legs up
capsoldier: and then falling against the wall…
REFERENCE FILM: Biggles (1986)
Directed by John Hough
Cast: Neil Dickson as James 'Biggles' Bigglesworth, Alex Hyde-White as Jim Ferguson, Peter Cushing as Colonel William Raymond, Marcus Gilbert as Eric Von Stalhein
Also Known As:
Biggles: Adventures in Time (USA)
Runtime: 92 min
Country: UK / USA
Language: English
Colour: Colour (Technicolour)
Sound Mix: Dolby
One minute the New Yorker advertising expert Jim Ferguson is at a business party -- the next he finds himself way back in 1917 in a plane fight during WWI.
Mr. Raymond explains to him that he has a time-twin, to whom he's relocated in space and time whenever one of them is in trouble. So he has to help his twin, biplane pilot Biggles, in his attempt to destroy a Nazi-German super weapon, which could win their war.
DOSSIER ESPECIAL NAZIS: TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
Extract of a dialog…
gibro: WAR DEVILS is magnificent
gibro: lots of huge and tall Nazis getting shot all the time
gibro: a special scene is from a guard
gibro: as a sentry
gibro: the captain call him (the captain is a commando)
gibro: the huge sentry come and compliment stepping his foot (boots)
gibro: so
bullsoldier: Supplicate
gibro: he said
gibro: ya my captain
gibro: and the captain shots him twice (silencer gun)
bullsoldier: Nice!!!!!!!!
bullsoldier: Love it
bullsoldier: The big sentry goes tumbling down
bullsoldier: Shot and cumming…
REFERENCE FILM: I Diavoli della Guerra (1969)
Directed by Bitto Albertini
Cast: Guy Madison as Capt. George Vincent, Venantino Venantini as Heinrich Meinike, Anthony Steel as Colonel James Steele
Also Known As:
Diablos de la guerra, Los (Spain)
War Devils (Australia) (video title)
Runtime: 100 min
Country: Spain / Italy
Language: Italian
Colour: Colour
Sound Mix: Mono
A German Captain and American Captain help each other survive the North African desert during WWII. They meet again a year later during combat operations in France.
REFERENCE: FILM – Hush... Hush, Sweet Charlotte (1964)
Hush... Hush, Sweet Charlotte (1964)
Directed by Robert Aldrich
Cast: Bette Davis as Charlotte Hollis, Olivia de Havilland as Miriam Deering, Joseph Cotton as Dr. Drew Bayliss, Agnes Moorehead as Velma Cruther, Mary Astor as Mrs. Jewel Mayhew, William Campbell as Paul Marchand, George Kennedy as Foreman
Also Known As:
What Ever Happened to Cousin Charlotte?
Runtime: 133 min
Country: USA
Language: English
Colour: Black and White
Sound Mix: Mono
Don't Tell Anyone What Happened In The Summer House!
Originally conceived as a sequel to the Joan Crawford/Bette Davis hit What Ever Happened to Baby Jane? (1962), and was to be called "Whatever Happened to Cousin Charlotte?". Davis' torment of Crawford (who had actively campaigned against Davis' Oscar nomination for "Baby Jane") became so oppressive that Crawford pleaded illness in order to get out of the production.
REFERENCE: BOOK - LILITH
Dois livros fundamentais para se perceber o mito: LA LUNE NOIRE, UN MONDE INTERDIT de Jacqueline Aimé e LILTH, A LUA NEGRA de Roberto Sicuteri
Two basic books to understand the myth: LA LUNE NOIRE, UN MONDE INTERDIT by Jacqueline Aimé and LILTH, A LUA NEGRA by Robert Sicuteri
CELSO JUNIOR: THE DREAM (ADAN and LILITH AT THE PARADISE)
O SONHO - THE DREAM (ADAN and LILITH AT THE PARADISE)
Oil on canvas 1994
160cm x 92cm / 63” x 36,22”
Private collection – Amsterdam - Holland
CELSO JUNIOR: PROJECTO LILITH 1986/7
Believed to be Earth's second satellite, the dark Moon, Lilith symbolizes the mysterious, seductive, sinister side of woman's nature in contrast to the nurturing, caring, sensitive feminine qualities associated with the Moon.
Although actual sightings have not taken place, observers claim that Lilith's shadow can be noted at six-month intervals, and ephemeredes for this satellite have been constructed.
The first feminist! Lilith, according to old versions of the Bible, was Adam’s first wife. She was said to have been created from the earth, and given breath directly from God, just as was Adam.
She refused to be subservient to Adam, and when ordered by the angels to do so, she left. God then made Eve, from Adam’s rib.
Legend has it that the angels who mated with human women did so with the children of Lilith, rather than those of Eve.
CELSO JUNIOR: PROJECTO LILITH 1986/7
Carta Astral feita por Flávia Monsaraz
My CHART by Flávia Monsaraz
CELSO JUNIOR: PROJECTO LILITH 1986/7
THE SIGHS AND THE SUN
150cm x 450cm
Private Collection Curitiba PR - Brazil
CELSO JUNIOR: PROJECTO LILITH 1986/7
...continuação do textoA ARTE MALDITA DE CELSO JUNIOR
por J.F. Tavares
Em O MAL/THE EVIL (1988) os modelos representam os signos zodiacais a que pertencem; este quadro é concebido segundo o processo analógico: o que está retratado é o lado mais maldito da alma de cada figura; isto É, o lado mais escuro e inacessível de cada Signo.
A concepção foi demorada e complexa, pois obedeceu a vários rituais, o que nos leva a considerar que este quadro está profundamente ligada a uma insatisfação e ao consequente desejo. Cada modelo é o resultado de uma posse.
O pintor satisfaz-se com os seus modelos; estes, satisfazem-no, mas o pintor satisfá-los incomparavelmente mais, segundo os rituais de iniciação. Domina todo o extenso painel a figura lendária da Lilith, Lua Negra, concebida de acordo com o traço tradicional.
No centro do quadro está o phalus, o objecto simbólico do desejo e da satisfação sexual.
Deste quadro, que, recentemente, o pintor mandou destruir por receio de maldição implícita, esta é uma das poucas partes que restam. Na sua concepção plástica, entraram o sangue e o sémen do pintor. Desejo e dor são pólos essenciais de toda a Arte. Por eles, pode atingir-se a plenitude.
Na sua busca permanente a que aspira a arte maldita de Celso Júnior, tal como, em tempos, o alquimista procurava a verdade da Pedra Filosofal. O alquimista não achou a sua.
É provável, contudo, que a obra deste pintor idealista possa atingir a plenitude desejada.
THE EVIL
150cm x 450cm
Destroyed
CELSO JUNIOR: PROJECTO LILITH 1986/7
Estas fotografias são da autoria do Tcheco John Sadovi, tirada em Budapest durante a revolta Húngara de 1956.
Elementos da Polícia Secreta do regime Soviético encontravam-se refugiados em um edifício e quando saíram foram abatidos a tiro pelos rebeldes armados que os cercavam.
Acrescenta-se que na época Sadovi foi extremamente criticado por levar aos olhos do mundo esse momento supremo da morte.
These photographs were taken by John Sadovi, a Czech photographer, in Budapest during the Hungarian revolt of 1956.
Elements of the Private Policy of the Soviet regimen met refugee in a building and when left they had been slaughtered for the armed rebels who surrounded them.
Sadovi was extremely criticized by taking to the eyes of the world this supreme moment of the death.
REFERENCE: BOOK - HUMBOLDT L'EXPLORATEUR de Pierre Gascar
After read it in 1987 I've met Pierre Gascar in Paris (1989) and we've talk a lot about our passion for this great man.
Pierre died some years ago
REFERENCE: ICONS - ALEXANDER VON HUMBOLDT
Alexander von Humboldt, nascido em Berlim em 1769, filho de pai alemão e mãe francesa este Barão Prussiano desde há muitos anos tem sido uma referência constante no meu percurso assim como uma fonte de inspiração no desenvolvimento de meu trabalho.
Dotado de uma personalidade ambígua e requintada, este homem que conheceu em vida grande parte do mundo, tinha um segredo que o atormentou durante toda a sua existência: sua homossexualidade, algo que a sociedade puritana da época não lhe perdoaria, visto este ter-se tornado, depois de Napoleão a personalidade mais famosa do século XIX.
Humboldt, esta personagem Lilithiana, viveu sob o seu véu e o estigma de seu mito e talvez seja esta a razão do seu desejo obsessivo de fugir da civilização e do seu orgulho característico.
Naturalista, geólogo, geógrafo, etnólogo, Humboldt foi sobretudo um aventureiro do espírito, curioso sobre tudo e tudo querendo abarcar, símbolo vivo do sonho enciclopedista dos séculos XVIII e XIX.
Humboldt escreveu: “Eu vou recolher plantas e fosseis, fazer observações astronómicas, entretanto não é este o propósito essencial de minha viagem. A minha atenção está voltada para a convergência das forças naturais com a harmonia universal.”
Humboldt aventurou-se por longas expedições na América do Sul (especialmente no Brasil) e na Ásia. Entre as suas viagens, a mais fabulosa foi a que ele empreendeu em 1800 com o seu amigo, o botânico Bonpland, às profundezas da selva Amazónica.
Esta expedição deveria, entre outros objectivos, verificar a existência, contestada na Europa, do canal natural de Cassiquiare que liga o Orenoco ao Rio Negro.
Suas numerosas obras e narrativas de viagens, das quais a mais famosa é COSMOS, foram determinantes no grande êxito que obteve durante toda a sua vida.
Entre as honras recebidas em vida conta com o seu nome dado a uma corrente no Pacífico, a uma montanha, minerais, plantas e uma cidade no Novo Mundo.
Não podendo esquecer de sua contribuição para a etnologia, esta Ciência em que aprendemos a conhecer e a aceitar os outros em sua diferença.
Alexander von Humboldt morre aos 90 anos.
Alexander von Humboldt was born in Berlin in 1769, son of a German father and a French mother. This Prussian Baron has long been a constant reference in my life as well as a source of inspiration in the development of my artwork.
Endowed with ambiguous and sophisticated personality this man who knew in life great part of the world, had a secret that tormented him during all his existence: his homosexuality, something that the puritan society of the time couldn’t forgive.
After Napoleon, Alexander von Humboldt is the most famous personality of the XIX century.
Humbolt, this Lilithian personage, lived under his veil and the stigma of its myth and maybe this is the reason for both its obsessive desire to perhaps run away from the civilization and its characteristic pride.
Naturalist, geologist, geographer, ethnologist, Humboldt was over all an adventurer of the spirit, curious about everything and wanting to accumulate everything in stocks, alive symbol of the encyclopaedist dream of XVIII and XIX centuries. Humboldt wrote: "I go to collect plants and fossils, to make astronomical comments, however the essential intention of my trip is not this. My attention is come back toward the convergence of the natural forces with the universal harmony."
Humboldt was ventured for long expeditions in the South America (especially in Brazil) and in Asia. Between his trips, fabulous was the one that he undertook in 1800 with his friend, the botanical Bonpland, to the deepening’s of the Amazon forest. This expedition would have, among others objectives, to verify the existence, contested in the Europe, of the natural canal of Cassiquiare that binds the Orenoco to the Negro River. His numerous workmanships and narratives of trips, (of which most famous are the COSMOS), had been determinative in the great success that he got during all his life. He received honours in life, among them to have his name given to a chain in the Pacific, to a mountain, minerals, plants and a city in the New World. Not to forget its contribution on Ethnology, this Science where we learn to know and to accept others in their difference.
Alexander von Humboldt died at the age of 90 years old.
DIE FAMILIE (1985)
DIE FAMILIE is an Art Project as well as a GAME: A game played for 12 persons (+ two maids)
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
LES BONNES (Sexe et Pouvoir)
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
Condessa MIRNA VON HUMBOLDT
50 anos, Signo de Touro – Feminino – Terra – Fixo
Planeta Regente : VenusPalavras-chave: Possessividade, Permanência
Como o carvalho, está firmemente enraizada no solo, presa às suas opiniões, pois é extremamente obstinada, odiando que a contradiga ou contrarie. Seu temperamento é contido e maquiavélico. Ciumenta, sabe ser extremamente paciente. Seu charme é imenso. Joga sem se arriscar, na auto-preservação. Tem tino para os negócios, é falsa, arrogante e prepotente.
Casou sem amor, pelo poder, tornando-se a matriarca da Família.
Não substima ninguém e tudo fará para manter sua posição, odiando os que ameaçam o seu precioso reinado.
Dedicada à Ceslawa Nicz, por sua visão equilibrada, forte e inteligente em relação à vida.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
Condessa BLANCHE VON HUMBOLDT
52 anos, Signo de Sagitário – Masculino – Fogo – Mutável
Planeta Regente : JúpiterPalavras-chave: Amplamente, Livremente
Branche é sincera, franca, confiável, escrupulosa. Sua tendência mais forte é o desejo de liberdade, que a faz ser descuidade e de certo modo exagerada.
A segurança pouco lhe importa, mas aprende com seus erros, idealiza objectivos muito distantes e quando os alcança, já se fixou em algo ainda mais longíncuo, pois está sempre anciosa por um novo projecto. É sonhadora e faz de sua vida um palco. Sente revolta contra sua Família por ter tolhido sua promissora carreira de actriz e cantora lírica, além de impedir seus casos amorosos.
Esta personagem foi inspirada em Blanche Dubois de Tennessee William, sendo apresentada na trama tal como era na sua juventude, sem compromisso com o tempo.
Dedicada à Mercedes Pilati, pela amizade de tantos anos, o suficiente para sentir a essência de uma Blanche perfeita no palco.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
Barão FREDERICH VON HUMBOLDT
45 anos, Signo de Escorpião – Feminino – Água – Fixo
Planetas Regentes : Plutão e Marte
Palavras-chave: Intensamente, Sensualmente
É dotado de sentimentos e emoções de grande poder. Tem propósitos, alta imaginação, discernimento, subtileza, persistência e determinação. Ciumento, ressentido, teimoso, intratável, abrigando segredos e suspeitas. Seu caracter é marcado pela profundidade de suas paixões, geralmente expressas em termos sensuais. É apaixonado pelo amor físico, pela política e pelo trabalho.
Uma intensidade peculiar permeia toda a sua personalidade, dando-lhe um senso de propósito extremamente forte e a determinação de nada fazer pela metade. Sente ciúmes em todos os aspectos: Se alguém lhe ocupar uma posição a que ele julgue ter direito, detestará este alguém e poderá chegar ao extremo de prejudicar este outro com crueldade. No processo de atingir uma victória, não hesitará em pisar.
Machista e preconceituoso.
Dedicado a Jaffer Marques Franco – In memorian
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
Conde LUDWIG VON HUMBOLDT
28 anos, Signo de Aquário – Masculino – Ar – Fixo
Planetas Regentes : Urano e SaturnoPalavra-chave: Independentemente
Visão progressista, original, inventiva e idealista.
Egocêntrico, intelectualmente inclinado, imprevisível, excêntrico, perverso, contrariador, de opiniões anti-convencionais.
É um ser isolado , torna difícil uma aproximação autêntica. Não se importa com atitudes e opiniões alheias. Possui um encanto distante que é dinâmico, mas destituido de calor e simpatia. Tem prazer em criar tramas, armadilhas e situações difíceis para os outros. É um ser perverso e perspicaz.
É homossexual, condição que não esconde. Ama as viagens, pintor, tem a mente povoada de fantasias, indo às últimas consequências para realizá-las. De gosto requintado, adora as cumplicidades. Seu sarcasmo é implacável.
Dedicada e criada para mim mesmo
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
Condessa BERNARDA VON HUMBOLDT
33 anos, Signo de Leão – Masculino – Fogo – Fixo
Planeta Regente : SolPalavras-chave: Poderosamente, Impressionantemente
Tende a organizar a vida dos outros melhor que a sua. Afectiva, é facilmente magoável, principalmente por Henri, seu marido, a quem mantém e ama intensamente.
É magnânima com os que ama, tem senso teatral, é dogmática, pomposa, esnobe, fútil e ambiciosa: tem paixão pelo poder e arrogância descumunal. Entretanto deixa-se abater em momentos de depressão. Arma cenas para se tornar o centro das atenções.
Apaixonada por joias, é obstinada e tem grande preconceito social, desprezando altivamente os menos favorecidos, abrindo uma única excepção ao seu marido, de classe inferior.
Dedicada à Denise Sartori, pelos momentos de cumplicidade.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
Baronesa CAMILLE VON HUMBOLDT
28 anos, Signo de Capricórnio – Feminino – Terra – Cardeal
Planeta Regente : SaturnoPalavras-chave: Calculadamente, Aspiração
É uma empresária bem sucedida, embora possuísse a riqueza da família, fez fortuna por conta própria.
É determinada, ambiciosa, mesquinha, exigente, dotada de senso de humor, disciplina, paciência e perseverança. Está sempre acima e adiante dos demais. A vida conjugal com Ferdinand é rotineira e distante do sexo, mantendo apenas as aparências.
Camille é uma mulher ardente.
Julga-se igual à Mirna e compete com ela pelo poder; com Bernarda no plano sensual e erótico.
Não subestima ninguém, tanto na profissão como no amor.
Utiliza a beleza no amor e no trabalho.
Dedicado à minha mãe, Inês.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
HENRI GODDART
28 anos, Signo de Gemeos – Masculino – Ar – Mutável
Planeta Regente : Mercúrio
Palavras-chave: Versatilidade, Comunicatividade, Adaptabilidade
Advogado francês, inteligente, vivo, agradável na conversação: poligrota, sempre formal e actualizado na aparência.
Astucioso, mutável, incoerente, homem de duas caras, vive de sua energia nervosa e é superficial. Irrita seus oponentes na argumentação, tem talento para o diálogo, capacidade fenomenal de fugir pela tangente. Impressiona os outros com suas brilhantes opiniões.
Mantém aparentemente um bom relacionamento com sua esposa Bernarda, mas seu interesse maior é o dinheiro.
É um hábil manipulador.
Dedicado à Doralice Bittencourt, por sua profunda compreensão ante os processos e a vida.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
FERDINAND HÖDLER
48 anos, Signo de Carneiro – Masculino – Fogo– Cardinal
Planeta Regente : Marte
Palavras-chave: Minuciosamente
Banqueiro Suíço-Judeu casado com Camille, mantém as aparências e os negócios.
Tem muita energia e capacidade de trabalho, egoista, coloca-se sempre em primeiro lugar.
Premeditado, grosseiro, ambicioso e calculista, ama o dinheiro acima de tudo. É satírico, irônico e paciente. Compreende rapidamente a essência de uma situação. Ofende facilmente, mas sabe ser diplomático quando necessário. Inteligente e perspicaz: joga com toda a Família e não subestima ninguém. É um homem marcado por muitos medos e recalques.
Dizem que gosta da compania dos homens.
Dedicado à Cesar Almeida, por sua perspicácia, inteligência e os longos anos de uma incasável amizade.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
GUSTAVE RENUS
28 anos, Signo de Balança – Masculino – Ar– Cardinal
Planeta Regente : Venus
Palavras-chave: Indefinidamente, Indecisamente
O afilhado de Paris.Modelo fotográfico, Nascido em Paris de maneira dúbia, sustentado pelas gordas mesadas do falecido Conde ou de quem esteja disposto a pagar por sua beleza.
Transmite imagem de masculinidade para esconder a sua homossexualidade.
Tem charme e gosta da boa vida. É desligado das coisas e dos valores morais, embora aprecie roupas e ambientes requintados. Sensual e sedutor é também narcisista, inescrupuloso, indeciso, ressentido, frívolo. Seu maior prazer é ser admirado e cortejado por homens e mulheres, mas detesta que vasculhem sua vida privada.
Destituído de objectivos e de caracter, só tem de seu a bela aparência, vende-se para obter o que deseja.
Dedicado à Carlos P.A: Junior, por sua ternura, crueldade e covardia.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
WILLIAM BRADLEY
20 anos, Signo de Virgem – Feminino – Terra – Mutável
Planeta Regente : Mercúrio
Palavras-chave: Criticamente, Analiticamente
O afilhado de Londres.É o outro afilhado do falecido Conde. Estuda Direito em Cambridge, nasceu em Londres, sua origem é obscura, sempre viveu em Inglaterra, sustentado pelo Conde seu padrinho e protector.
Analítico, meticuloso, modesto, arrumadinho e intelectualizado. Prático, extremamente crítico e perfeccionista, enormemente convencional, é tímido e detesta reuniões de pessoas. Tem bom gosto e é uma machista em potencial. Tem uma barreira psicológica difícil de transpor. Só conheceu o amor uma vez.
Tem o Barão Frederich von Humboldt como um feroz e poderoso rival político.
Dedicado à Carlos Ruiz, por seu senso crítico e sensibilidade aguçada.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
JENNIFER LADD
23 anos, Signo de Peixes – Feminino – Água – Mutável
Planeta Regente : Neptuno
Palavras-chave: Nebulosamente, Impressionavelmente
A actriz americana que casou com o Barão Frederich von Humboldt.
Actriz, falsa loira, charmosa, “vulgar”, destoa da família em termos de requinte. Casou com o Barão desejando ascenção social, o que revela sua relativa falta de escrúpulos.
Emocional, espirituosa, impressionável, intuitiva, vaga, descuidada, suscetívela influências externas. Sexualmente, entretanto, tem plena consciência de seu poder.
Não se conforma facilmente, detestando a disciplina, o que causa conflitos com o marido.
Dedicado à José Eliezer Micosz, um equilibrista que acredita e sonha.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
CHARLES DUBOIS
60 anos, Signo de Cancer – Feminino – Água – Cardinal
Planeta Regente : Lua
Palavras-chave: Protetivamente, Sensitivamente
Mordomo da Família Humboldt.
Desde sempre ligado à mesma, desde seus antepassados. Sempre viveu à sombra do que se passava na casa dos Humboldt.
Homem bom, compassivo, solícito e protector, cuidadoso, tenaz, econômico, é o respaldo emocional por excelência, perfeito serviçal, por seu caracter frágil tolera todo o tipo de humilhações.
Inclinado à auto-piedade, submisso aos superiores, deixa que interfiram em sua vida particular e amorosa.
Ambiciona, um dia, libertar-se do jugo da Família.
Dedicado à Silvia Dias.
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
DIE FAMILIE (1985)
OS CENÁRIOS – A Casa, o Quarto da Puta, O Quarto de Alexander, o outro lado do Sotão, a Sala de Música, a Piscina, o Sotão e a Biblioteca
THE SETS - the House, the Whore's Room, the Alexander's Room, the other side of the Attic, the Music Room, the Swimming Pool, the Attic and the Library
DIE FAMILIE (1985)
AS PERSONAGENS SE DESNUDAM: Ludwig, Bernarda, Ferdinand, Gustave, Willian e Charles
Criação e Produção: Celso Junior
Fotografia: Ronald Luz
About Me
- Name: Celso Junior
- Location: Lucerne, Switzerland
Born in Guararapes São Paulo, Brazil, I received an academic degree in painting from Escola de Música e Belas Artes do Paraná in Curitiba, Brazil in 1985. Since 1989, I have resided in Lisbon, Portugal. In addition to painting, created (1997) and directed the Lisbon Gay and Lesbian Film Festival till its 8th edition (2004). I consider myself a real boot fetishist, a rubberman as well as a leatherman.
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