A place to know Celso Junior’s Artwork and talk about Art, Cinema, LGBT Issues, Homophobia, Boots, Rubber Boots, Uniforms and other Fetishes.
Gisberta, Brazilian immigrant, transsexual, HIV positive, drug user, sex worker and homeless was found dead on the February 22nd in an unfinished building in the city of Oporto and that the crime was confessed by a group of 14 boys, aged from 10 to 16 years old, most of them coming from a catholic child protection institution.
The victim had a deeply fragile health condition and that she was frequently chased by these boys, with insults and harassment. That on the 19th, a group of these boys entered the unfinished and abandoned building where Gisberta was staying, tied her up, gagged and assaulted her with extreme violence, kicking her, and beating her up with sticks and stones.
That the group also confessed to have introduced sticks in Gisberta's anus, whose body presented great injuries and have abandoned her at the scene. That her body presents also cigarette burning marks. That on the 20th and 21st, they have returned to the scene and repeated the aggressions. That by dawn, from the 21st to 22nd, they finally threw her to the pit, attempting to hide the crime. That the autopsy will clarify if she was still alive, since her body was not floating, yet submerged in the bottom of the pit, indicating that she died drowned.
This case was widely spread by the Portuguese media on the 23rd and 24th in a biased and erroneous way. While some of the Portuguese media mentioned the murder of a "transvestite", most of them only mentioned her homeless" or "homeless, sex worker, drug addict " condition. Gisberta was, also in some media, called Gisberto, her (masculine) legal name. According with this omission, and even before any details about the murder or about the identity and personal characteristics of the victim were known, many newspapers, in opinion columns, printed articles from opinion-makers (already known in Portugal for their personal opposition to LGBT rights), defending that this couldn't be considered as a "hate crime" and that it wouldn't be legitimate to consider any connection with Gisberta's transsexuality among the motivations to the crime. Usually, the arguments were about the underage of most aggressors. at the same time the press releases of the Portuguese LGBT associations, clarifying the "transsexuality" and victims identity, demanding legal and social measures against discriminations and protection against hate crimes motivated by gender identity, sexual orientation, social condition, disease or national origin were, and still are, being ignored by the media , though it was vaguely mentioned a solidarity vigilance (a citizen's initiative supported by the LGBT associations) on the 24th evening, but, once again, the media ignored the arguments of the associations and their request that victim's transsexuality to be mentioned, as well as transphobic discrimination as one of the probable crime motivations. It becomes clear that by avoiding mentioning, "hate crime" using the argument of the aggressors' underage, with the exception of a few politicians that expressed their personal opinion, no Portuguese political party as such took a stand nor condemned this crime.
The only reaction from the Government came from the minister responsible for this underage institution, that simply stated "the feeling of shock", without any more words or comments and demanded an inquiry to the institution responsible for the aggressors.
These aggressors, with the exception of a 16 year-old boy, who has been made criminally responsible and who is already in preventive detention, were sent back to the institution and are in a semi-liberty regime. No other measure is known to have been taken towards the aggressors. Psychological support for the 10 year-old boys, for example?
Strange as well that no photo of the victim was printed in most newspapers. The media and the opinion-makers focused the "shock" of the crime because of the aggressors' age, and not with the death of a citizen. That they gave voice to insinuations by the responsible priest for the underage institution, who said publicly that a boy from the institution was being "abused" by a pedophile and this would be an "extenuating circumstance". These declarations didn't lead to the publication of any reaction.
Contrary to the current praxis, the data revealed on the 24th about the victim's sexual harassment, as well as the possibility of Gisberta being still alive when she was thrown at the pit, were only printed by an Oporto's newspaper. That only four days after the crime was denounced, a sudden media silence about it is almost absolute.
A terrible murder that configures as a most likely hate crime, facing tendentious omissions of the sexual and transphobic component of the crime, facing an apparent media and political attempt of de-valorizing the crime itself, facing the omission of the "hate" component in the death of a person that accumulated so many social exclusions, facing the attempts to make the victim accountable for the situation, and publicly silencing this case.
The accused boys were found not guilty because Gisberta drown and none of the injuries her aggressors inflicted on her were fatal. This unfair reality represents a total disrespect for the most elementary Human Rights, which can only be qualified as unacceptable in a country from the European Union, in the XXI century.
SHAME ON YOU PORTUGAL!
Autumn in poetry has often been associated with melancholy. The possibilities of summer are gone, and the chill of winter is on the horizon. Thoughts and skies turn to grey. Rainer Maria Rilke, a famous German-language poet, has expressed such sentiments in one of his most famous poems, Herbsttag (Autumn Day), which reads in part:
When a pawn in a chess match reaches the eighth square on the far side of the board, the player can swap him for a piece of his or her choice. So the pawn—a lowly foot soldier—can transform into a queen, a powerless figure into the epitome of power, a man into a woman.
Another session for the documentary TALKING ABOUT RUBBER BOOTS AND MACHINE GUNS
The photographer Walter Schels and the journalist Beate Lakotta asked terminally ill patients if they might remain with them during the final weeks, days and hours of their lives. From these vigils emerged a collection of sensitive and illuminating portraits of people as their lives drew to a close.
LIFE BEFORE DEATH comprises a series of large format, black and white photographs taken shortly before and immediately after the death of each subject. The exhibition articulates the experiences, hopes and fears of the terminally ill and gives them a final opportunity to be heard.
Ana Zanatti (Portuguese actress and author), Albino Cunha (A Janela Indiscreta’s President) and Celso Junior at the Closing Night. (My goodness! I was a little bit out of the planet)
In 1967, Marc Chagall – then 80 – accepted the commission to make new stained glass for the five 10m-high choir windows. The stunning artistry of the windows he produced makes them one of the highlights of Zürich.
Sometimes (not always) I have a kind of mental or intellectual orgasm watching a painting or a theatre play moment, listening to an aria or even reading a book. It happened here at this exhibition: there were 5 or 6 Kandinsky’s, a real explosion of colours, magnificent and I was there, just standing in front of them, for a long, for a very long time …
Born in Guararapes São Paulo, Brazil, I received an academic degree in painting from Escola de Música e Belas Artes do Paraná in Curitiba, Brazil in 1985. Since 1989, I have resided in Lisbon, Portugal. In addition to painting, created (1997) and directed the Lisbon Gay and Lesbian Film Festival till its 8th edition (2004). I consider myself a real boot fetishist, a rubberman as well as a leatherman.
